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Black Cultural Production after Civil Rights

ISBN-13: 9780252042775
Publisher: UNIVERSITY OF ILLINOIS PRESS
Imprint: UNIVERSITY OF ILLINOIS PRESS
Edited by Robert J Patterson
Price: AUD $239.00
Stock: 0 in stock
Availability: This book is temporarily out of stock, order will be despatched as soon as fresh stock is received.
Local release date: 14/11/2019
Format: Hardback 288 pages Weight: 0g
Categories: Sociology & anthropology [JH]

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Google Preview: The post-civil rights era of the 1970s offered African Americans an all-too-familiar paradox. Material and symbolic gains contended with setbacks fueled by resentment and reaction. African American artists responded with black approaches to expression that made history in their own time and continue to exercise an enormous influence on contemporary culture and politics.This collection's fascinating spectrum of topics begins with the literary and cinematic representations of slavery from the 1970s to the present. Other authors delve into visual culture from Blaxploitation to the art of Betye Saar to stage works like A Movie Star Has to Star in Black and White as well as groundbreaking literary works like Corregidora and Captain Blackman. A pair of concluding essays concentrate on institutional change by looking at the Seventies surge of black publishing and by analyzing Ntozake Shange's for colored girls. . . in the context of current controversies surrounding sexual violence. Throughout, the writers reveal how Seventies black cultural production anchors important contemporary debates in black feminism and other issues while spurring the black imagination to thrive amidst abject social and political conditions.; Deeply informed and persuasively argued, this wide-ranging yet cohesive collection of original essays illuminates the inter-workings of black activism and expressive culture in and beyond the 1970s. With its rigorous historical contextualization and compelling commentary on how the 1970s anticipated and influenced our own moment, Black Cultural Production After Civil Rights is sure to become an invaluable resource for contemporary scholars working in the fields of African American literature and print culture; film studies; popular culture; feminist history and theory; and trauma and memory studies.--Aida Levy-Hussen, author of How to Read African American Literature: Post-Civil Rights Fiction and the Task of Interpretation; Google Preview content

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Black Cultural Production after Civil Rights