From tent revivals to radio and records with a gospel music innovator Homer Rodeheaver merged evangelical hymns and African American spirituals with popular music to create a potent gospel style. Kevin Mungons and Douglas Yeo examine his enormous influence on gospel music against the backdrop of Christian music history and Rodeheaver's impact as a cultural and business figure. Rodeheaver rose to fame as the trombone-playing song leader for evangelist Billy Sunday. As revivalism declined after World War I, Rodeheaver leveraged his place in America's newborn celebrity culture to start the first gospel record label and launch a nationwide radio program. His groundbreaking combination of hymnal publishing and recording technology helped define the early Christian music industry. In his later years, he influenced figures like Billy Graham and witnessed the music's split into southern gospel and black gospel. Clear-eyed and revealing, Homer Rodeheaver and the Rise of the Gospel Music Industry is an overdue consideration of a pioneering figure in American music.
Kevin Mungons is a writer for print and digital platforms and editorial manager at Moody Bible Institute. Douglas Yeo was bass trombonist of the Boston Symphony and has taught trombone at Wheaton College and Arizona State University.
"I am truly taken by the book. It is good, informative, comprehensive, and free of the usual assortment of cliches, academic hems and haws, and over-spiritualization. It takes the often over-simplified view of music and revivalism and exposes it to a fascinating cross-weave of thought, content, and context which, to my embarrassment, I thought I had already had a handle on. I recommend it without reservation. There is no doubt in my mind that general readers and specialists alike will benefit from reading this book."--Harold Best, emeritus professor of music and dean emeritus of the Wheaton College Conservatory of Music "Kevin Mungons and Douglas Yeo's biography of Homer Rodeheaver brightens an important corner of gospel music history that has gone unexplored for far too long. What they reveal in their remarkable portrait of 'Reverend Trombone' is a man both of his time and ahead of his time. It's more than a tale of the emergence of gospel singing and revivalism, it's a quintessentially American story about a quintessential American."--Robert Marovich, author of A City Called Heaven: Chicago and the Birth of Gospel Music
