Hip hop music that empowers and engages youth in East Africa.In this book, Mwenda Ntarangwi analyses how young hip hop artists in the East African nations of Kenya, Uganda, and Tanzania showcase the opportunities and challenges brought by the globalization of music. Combining local popular music traditions with American and Jamaican styles of rap, East African hip hop culture reflects the difficulty of creating commercially accessible music while honoring tradition and East African culture. Ntarangwi pays special attention to growing cross-border exchanges within East African hip hop, collaborations in recording music and performances, and themes and messages that transcend local geographic boundaries. In using hip hop as a lens for viewing changes in East African political, economic, and social conditions, Ntarangwi reveals that music empowers youth to publicly engage with issues that directly affect them. Artists vocalize their concerns about economic policies, African identity, and political establishments, as well as important issues of health (such as HIV/AIDS), education, and poverty. Through three years of fieldwork, rich interviews with artists, and analysis of live performances and more than 140 songs, Ntarangwi finds that hip hop provides youth an important platform for social commentary and cultural critique and calls attention to the liberating youth music culture in East Africa.''This gracefully written book takes East African hip hop music as a revealing entry point into the experiences of youth as they deal with issues of gender, sexuality, economic inequality, and political power. An excellent contribution to anthropology and African studies.''--Angelique Haugerud, author of The Culture of Politics in Modern Kenya
Preface; Acknowledgments; Chapter One: Globalization and Youth Agency in East Africa; Chapter Two: Hip hop and African Identity in Contemporary Globalization; Chapter Three: Move Over Boys, the Girls are Here: Hip Hop and Gendered Identities; Chapter Four: Economic Change and Political Deception; Chapter Five: Morality, Health, and the Politics of Sexuality in an Era of HIV/AIDS; Conclusions; Note on Hip Hop Artistes; Glossary; References
''This gracefully written book takes East African hip hop music as a revealing entry point into the experiences of youth as they deal with issues of gender, sexuality, economic inequality, and political power. An excellent contribution to anthropology and African studies.'' Angelique Haugerud, author of The Culture of Politics in Modern Kenya ''I highly recommend this book and I hope there will be an East African edition of the same...the most enjoyable and authorative section of the book is where Prof Ntarangwi analyses Wahu's live performance, in which the artiste and her audience interact in Sheng.'' Evan Mwangi, Sunday Nation, 20th Sept 2009
