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Champagne Charlie and Pretty Jemima:

Variety Theater in the Nineteenth Century

ISBN-13: 9780252077340
Publisher: UNIVERSITY OF ILLINOIS PRESS
Imprint: UNIVERSITY OF ILLINOIS PRESS
By Gillian M. Rodger
Price: AUD $64.99
Stock: 0 in stock
Availability: This book is temporarily out of stock, order will be despatched as soon as fresh stock is received.
Local release date: 14/10/2010
Format: Paperback 296 pages Weight: 0g
Categories: Music [AV]

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Google Preview: In this rich, imaginative survey of variety musical theater, Gillian M. Rodger masterfully chronicles the social history and class dynamics of the robust, nineteenth-century American theatrical phenomenon that gave way to twentieth-century entertainment forms such as vaudeville and comedy on radio and television. Fresh, bawdy, and unabashedly aimed at the working class, variety honed in on its audience's fascinations, emerging in the 1840s as a vehicle to accentuate class divisions and stoke curiosity about gender and sexuality. Cross-dressing acts were a regular feature of these entertainments, and Rodger profiles key male impersonators Annie Hindle and Ella Wesner while examining how both gender and sexuality gave shape to variety. By the last two decades of the nineteenth century, variety theater developed into a platform for ideas about race and whiteness. As some in the working class moved up into the middle class, they took their affinity for variety with them, transforming and broadening middle-class values. Champagne Charlie and Pretty Jemima places the saloon keepers, managers, male impersonators, minstrels, acrobats, singers, and dancers of the variety era within economic and social contexts by examining the business models of variety shows and their primarily white, working-class urban audiences. Rodger traces the transformation of variety from sexualized entertainment to more family-friendly fare, a domestication that mirrored efforts to regulate the industry, as well as the adoption of aspects of middle-class culture and values by the shows' performers, managers, and consumers.; ''A pathbreaking contribution. This is the first in-depth, scholarly treatment of variety musical theater, and there is nothing comparable to it. Rodger follows sound scholarly methodology and is innovative in her pursuit of information from underutilized sources. No one interested in musical theater will be without it.''--Dale Cockrell, author of Demons of Disorder: Early Blackface Minstrels and Their World; Google Preview content

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Champagne Charlie and Pretty Jemima:

Variety Theater in the Nineteenth Century