An invention of the Industrial Revolution, the accordion provided the less affluent with an inexpensive, loud, portable, and durable ''one-man-orchestra'' capable of producing melody, harmony, and bass all at once. Imported from Europe into the Americas, the accordion with its distinctive sound became a part of the aural landscape for millions of people but proved to be divisive: while the accordion formed an integral part of working-class musical expression, bourgeois commentators often derided it as vulgar and tasteless. This rich collection considers the accordion and its myriad forms, from the concertina, button accordion, and piano accordion familiar in European and North American music to the exotic-sounding South American bandoneón and the sanfoninha. Capturing the instrument's spread and adaptation to many different cultures in North and South America, contributors illuminate how the accordion factored into power struggles over aesthetic values between elites and working-class people who often were members of immigrant and/or marginalized ethnic communities. Specific histories and cultural contexts discussed include the accordion in Brazil, Argentine tango, accordion traditions in Colombia, cross-border accordion culture between Mexico and Texas, Cajun and Creole identity, working-class culture near Lake Superior, the virtuoso Italian-American and Klezmer accordions, Native American dance music, and American avant-garde.
Contributors are Maria Susana Azzi, Egberto Bermudez, Mark DeWitt, Joshua Horowitz, Sydney Hutchinson, Marion Jacobson, James P. Leary, Megwen Loveless, Richard March, Cathy Ragland, Helena Simonett, Jared Snyder, Janet L. Sturman, and Christine F. Zinni.
''As we as the traditions mentioned in her subtitle, Helena Simonett's welcome addition to the meagre academic literature on the accordion includes detailed essays on Cajun music, conjunto and meringue among others... The Accordion in the Americas offers a history rich in insights drawn from the complex intertwining of society, race and culture in American music-making.'' - Frank Bruce, Times Literary Supplement, June 28th 2013 ''...an excellent collection of ethnomusicology scholarship that will be of interest to those who like world music, ethnography, or unusual instruments.'' Library Journal ''A major contribution to understanding the instrument's important social function within different ethnic cultures. The impressive group of contributors illuminates the importance of studying mass culture and indicates the accordion's enduring significance to many cultural and personal identities.'' Victor R. Greene, author of A Singing Ambivalence: American Immigrants between Old World and New, 1830-1930
