Contact us on (02) 8445 2300
For all customer service and order enquiries

Woodslane Online Catalogues

9780252084348 Add to Cart Academic Inspection Copy

Subject to Reality:

Women and Documentary Film
  • ISBN-13: 9780252084348
  • Publisher: UNIVERSITY OF ILLINOIS PRESS
    Imprint: UNIVERSITY OF ILLINOIS PRESS
  • By Shilyh Warren
  • Price: AUD $54.99
  • Stock: 3 in stock
  • Availability: Order will be despatched as soon as possible.
  • Local release date: 14/08/2019
  • Format: Paperback (229.00mm X 152.00mm) 200 pages Weight: 280g
  • Categories: Film, TV & radio [AP]
Description
Reviews
Google
Preview
Women's documentaries in film and feminist history
 
Revolutionary thinking around gender and race merged with new film technologies to usher in a wave of women's documentaries in the 1970s. Driven by the various promises of second-wave feminism, activist filmmakers believed authentic stories about women would bring more people into an imminent revolution. Yet their films soon faded into obscurity.
 
Shilyh Warren reopens this understudied period and links it to a neglected era of women's filmmaking that took place from 1920 to 1940, another key period of thinking around documentary, race, and gender. Drawing women's cultural expression during these two explosive times into conversation, Warren reconsiders key debates about subjectivity, feminism, realism, and documentary and their lasting epistemological and material consequences for film and feminist studies. She also excavates the lost ethnographic history of women's documentary filmmaking in the earlier era and explores the political and aesthetic legacy of these films in more explicitly feminist periods like the Seventies.
 
Filled with challenging insights and new close readings, Subject to Reality sheds light on a profound and unexamined history of feminist documentaries while revealing their influence on the filmmakers of today.
""Warren approaches this body of work in new and illuminating ways. She consolidates and animates earlier debates within the field while complementing and expanding this with careful connections to relevant fields like ethnography and anthropology. She unearths and examines work by early women filmmakers that need to be part of this canon and reveals a gendered impulse at the heart of the ethnographic filmmaking enterprise. A delight.""--Alexandra Juhasz, coeditor of Sisters in the Life: A History of Out African American Lesbian Media-Making
Google Preview content