Palomitáy is an orphanage in highland Peru that provides a home for unmarried mothers as young as twelve years old. In their ordinary lives, these young women encounter diverse social expectations and face moral dilemmas. They endeavor to create a ""good life"" for themselves and their children in a context complicated by competing demands, economic uncertainties, and structured relations of power.Drawing on a year of qualitative on-site research, Krista E. Van Vleet offers a rich ethnography of Palomitáy's young women. She pays particular attention to the moral entanglements that emerge via people's efforts to provide care amid the inequalities and insecurities of today's Peru. State and nonstate participants involved in the women's intimate lives influence how the women see themselves as mothers, students, and citizens. Both deserving of care and responsible for caring for others, the young women must navigate practices interwoven with a range of a racial, gendered, and class hierarchies.Groundbreaking and original, Hierarchies of Care highlights the moral engagement of young women seeking to understand themselves and their place in society in the presence of circumstances that are both precarious and full of hope.
Taking as her fieldsite a Peruvian orphanage where adolescent wards of the state live with their own small children, Krista Van Vleet centers the stories and experiences of very young mothers who navigate violences and injustices large and small. Here, an international humanitarian NGO cares for young mothers and their children by teaching the mothers how to care. It's a tremendously layered lesson: an education in care smuggles with it understandings of racial and social hierarchy in Peru, hinting at the inadequacy of indigenous domesticity. Empathetically researched and clearly written, deeply respectful of and curious about the young women at Palomitay, this book runs a far wider gamut than most ethnographies, engaging visual arts and performance, humanitarianism, gender, and kinship in a context of unrelenting neoliberalism. Van Vleet also works with more experimental methods--analyzing the photos taken by and the theater performed by the young women, mediated by NGO workers, in chapters that sing with rich descriptions and colorful, skillful images that generously invoke the contexts and the actions of the girls as they learn to consider themselves, and perhaps so to become, mothers.--Jessaca Leinaweaver, author of Adoptive Migration: Raising Latinos in Spain
