This volume assesses how current approaches to iconology and iconography break new ground in understanding the signification and reception of medieval images, both in their own time and in the modern world. Framed by critical essays that apply explicitly historiographical and sociopolitical perspectives to key moments in the evolution of the field, the volume's case studies focus on how iconographic meaning is shaped by factors such as medieval modes of dialectical thought, the problem of representing time, the movement of the viewer in space, the fragmentation and injury of both image and subject, and the complex strategy of comparing distant cultural paradigms. The contributions are linked by a commitment to understanding how medieval images made meaning; to highlighting the heuristic value of new perspectives and methods in exploring the work of the image in both the Middle Ages and our own time; and to recognizing how subtle entanglements between scholarship and society can provoke mutual and unexpected transformations in both. Collectively, the essays demonstrate the expansiveness, flexibility, and dynamism of iconographic studies as a scholarly field that is still heartily engaged in the challenge of its own remaking. Along with the volume editors, the contributors include Madeline H. Caviness, Beatrice Kitzinger, Aden Kumler, Christopher R. Lakey, Glenn Peers, Jennifer Purtle, and Elizabeth Sears.
Pamela A. Patton is Director of the Index of Medieval Art at Princeton University. She is the author of Art of Estrangement: Redefining Jews in Reconquest Spain, published by Penn State University Press, and the coeditor of The Lives and Afterlives of Medieval Iconography, copublished by Penn State University Press and the Index of Medieval Art. Catherine A. Fernandez is Art History Specialist at the Index of Medieval Art. She is the author of "The Archaeology of Carolingian Memory at Saint-Sernin of Toulouse" in The Lives and Afterlives of Medieval Iconography.
"Iconography Beyond the Crossroads is a very useful contribution to current scholarship and a distinguished follower in the line of the excellent volumes produced by Index conferences of the past. This volume, with its coherent methodological emphasis, is an especially worthy successor to its important predecessor, Iconography at the Crossroads." -William Diebold, author of Word and Image: An Introduction to Early Medieval Art
