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Performing the Gospel

Orality, Memory, and Mark
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This ground-breaking volume gathers the best new work in Gospels criticism centered on how the Gospels actually came to be: through oral tradition, story performance, and cultural memory. Contributors include: John Miles Foley Martin Jaffee Jonathan A.Draper Ellen Aitken Holly Hearon Vernon K. Robbins Whitney Shiner Jan Assmann Jens Schroeter Richard A. Horsley
Jonathan A. Draper is Professor of New Testament at the School of Religion and Theology, University of KwaZulu-Natal, Pietermaritzburg, South Africa. John Miles Foley holds the Wm. H. Byler Chair in the Humanities and directs the Center for Studies in Oral Tradition at the University of Missouri. Richard A. Horsley is Distinguished Professor of Liberal Arts and the Study of Religion at the University of Massachusetts, Boston. He is the author of The Message and the Kingdom (2002 with Neil Asher Siberman), Jesus and the Spiral of Violence (1992), and Jesus and the Empire (2002).
IntroductionPart 1 The Implications of Orality for Studies of the Biblical Text Gender and Otherness in Rabbinic Oral Culture: On Gentiles, Undisciplined Jews, and Their Women Many Voices, One Script: The Prophecies of George Khambule Part 2 Form as a Mnemonic Device: Cultural Texts and Cultural Memory Memory in Oral Tradition Tradition in the Mouth of the Hero: Jesus as an Interpreter of Scripture Jesus and the Canon: The Early Jesus Traditions in the Context of the Origins of the New Testament Canon Part 3 Interfaces of Orality and Literature in the Gospel of Mark Memory Technology and the Composition of Mark A Prophet Like Moses and Elijah: Popular Memory and Cultural Patterns in MarkAbbreviations Notes Contributors
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