In the 1790s, a single conversational circle -- the Friendly Club -- united New York City's most ambitious young writers, and in Republic of Intellect, Bryan Waterman uses an innovative blend of literary criticism and historical narrative to re-create the club's intellectual culture. The story of the Friendly Club reveals the mutually informing conditions of authorship, literary association, print culture, and production of knowledge in a specific time and place -- the tumultuous, tenuous world of post-revolutionary New York City. More than any similar group in the early American republic, the Friendly Club occupied a crossroads -- geographical, professional, and otherwise -- of American literary and intellectual culture. Waterman argues that the relationships among club members' novels, plays, poetry, diaries, legal writing, and medical essays lead to important first examples of a distinctively American literature and also illuminate the local, national, and transatlantic circuits of influence and information that club members called 'the republic of intellect.' He addresses topics ranging from political conspiracy in the gothic novels of Charles Brockden Brown to the opening of William Dunlap's Park Theatre, from early American debates on gendered conversation to the publication of the first American medical journal. Voluntary association and print culture helped these young New Yorkers, Waterman concludes, to produce a broader and more diverse post-revolutionary public sphere than scholars have yet recognized.
AcknowledgmentsIntroduction: ""There exists in this city, a small association of men""Part I: AssociationPrelude: Pictures at an Exhibition1. ""The Town is the only place for rational beings"": Sociability, Science, and the Literature of Intimate Inquiry2. Dangerous Associations: The Illuminati Conspiracy Scare as a Crisis of Public Intellectual Authority3. Unrestrained Conversation and the ""Understanding of Woman"": Radicalism, Feminism, and the Challenge of Polite SocietyPart II: Industries of KnowledgePrelude: James Kent, Legal Knowledge, and the Politics of Print4. The Public Is in the House: William Dunlap's Park Theatre and the Making of American Audiences5. ""Here was fresh matter for discourse"": Yellow Fever, the Medical Repository, and Arthur MervynCoda: The End of the American Enlightenment: Samuel Miller's A Brief Retrospect of the Eighteenth CenturyAppendix: Friendly Club Membership and Nineteenth-Century New York City HistoriographyAbbreviationsNotesIndex
""Exemplary as a thoroughgoing and revisionary study of the most significant intellectual association of the early republic.""
