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9781421423579 Add to Cart Academic Inspection Copy

Red Modernism:

American Poetry and the Spirit of Communism
  • ISBN-13: 9781421423579
  • Publisher: JOHNS HOPKINS UNIVERSITY PRESS
    Imprint: JOHNS HOPKINS UNIVERSITY PRESS
  • By Mark Steven
  • Price: AUD $113.00
  • Stock: 2 in stock
  • Availability: Order will be despatched as soon as possible.
  • Local release date: 13/02/2018
  • Format: Hardback (229.00mm X 152.00mm) 264 pages Weight: 499g
  • Categories: Literary theory [DSA]
Description
Table of
Contents
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In Red Modernism, Mark Steven asserts that modernism was highly attuned—and aesthetically responsive—to the overall spirit of communism. He considers the maturation of American poetry as a longitudinal arc, one that roughly followed the rise of the USSR through the Russian Revolution and its subsequent descent into Stalinism, opening up a hitherto underexplored domain in the political history of avant-garde literature. In doing so, Steven amplifies the resonance among the universal idea of communism, the revolutionary socialist state, and the American modernist poem.
 
Focusing on three of the most significant figures in modernist poetry—Ezra Pound, William Carlos Williams, and Louis Zukofsky—Steven provides a theoretical and historical introduction to modernism's unique sense of communism while revealing how communist ideals and references were deeply embedded in modernist poetry. Moving between these poets and the work of T. S. Eliot, Langston Hughes, Muriel Rukeyser, Gertrude Stein, Wallace Stevens, and many others, the book combines a detailed analysis of technical devices and poetic values with a rich political and economic context.
 
Persuasively charting a history of the avant-garde modernist poem in relation to communism, beginning in the 1910s and reaching into the 1940s, Red Modernism is an audacious examination of the twinned history of politics and poetry.
 

Acknowledgments
1. Introduction
2. Ezra Pound
3. William Carlos Williams
4. Louis Zukofsky
Epilogue
Notes
Index

""Steven's audacious redefinition of modernist historiography ventures much further than previous attempts to read political inferences into post-imagist poetry... It does so by viewing the Russian Revolution as a foundational event in the narrative of modern American verse. A much needed counter to ideological micro-criticism, Red Modernism unfolds on an ambitiously broad canvas, seeking to highlight the epic global backdrop to the poems containing history that so preoccupied Pound and his compatriots William Carlos Williams and Louis Zukofsky. Red Modernism argues meticulously for the centrality of the communist ideal in the work of Pound, Williams, and Zukofsky.""

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