winner of the 2021 Ellen Koskoff Edited Volume Prize Decentering the Nation: Music, Mexicanidad, and Globalization considers how neoliberal capitalism has upset the symbolic economy of "Mexican" cultural discourse, and how this phenomenon touches on a broader crisis of representation affecting the nation-state in globalization. This book argues that, while mexicanidad emerged in the early twentieth century as a cultural trope about national origins, culture, and history, it was, nonetheless a trope steeped in 'otherization' and used by nation-states (Mexico and the United States) to legitimize narratives of cultural and socioeconomic development stemming out of nationalist political projects that are now under strain. Using music as a phenomenological platform of inquiry, contributors to this book focus on a critique of mexicanidad in terms of the cultural processes through which people contest ideas about race, gender, and sexuality; reframe ideas of memory, history, and belonging; and negotiate the experiences of dislocation that affect them. The volume urges readers to find points of resonance in its chapters, and thus, interrogate the asymmetrical ways in which power traverses their own historical experience. In light of the crisis in representation that currently affects the nation-state as a political unit in globalization, such resonance is critical to make culture an arena of social collusion, where alliances can restore the fiber of civil society and contest the pressures that have made disenfranchisement one of the most alarming features characterizing the complex relationships between the state and the neoliberal corporate system that seeks to regulate it. Scholars of history, international relations, cultural anthropology, Latin American studies, queer and gender studies, music, and cultural studies will find this book particularly useful.
Jesus A. Ramos-Kittrell is assistant professor in residence of ethnomusicology and music history at the University of Connecticut.
Foreword by Chela Sandoval Introduction: Post-Mexicanidad apropos of the Postnational by Jesus A. Ramos-Kittrell 1.Afrodiasporic Visual and Sonic Assemblages: Racialized Anxieties and the Disruption of Mexicanidad in Cine de Rumberas by Laura G. Gutierrez 2.The Danza de Inditas in the Mexican Huasteca Region: Decolonizig Nationalist Discourse by Lizette Alegre Gonzalez 3.Chavela's Frida: Decolonial Performativity of the Queer Llorona by Ana R. Alonso-Minutti 4.Vaquero World: Queer Mexicanidad, Trans Performance, and the Undoing of Nation by Nadine Hubbs 5."Soy gallo de Sinaloa jugado en varios palenques": Production and Consumption of Narco-music in a Transnational World by Cesar Burgos Davila and Helena Simonett 6.Yo lo digo sin tristezas (I say it without lament): Transnational Migration, Postnational Voicings, and the Aural Politics of Nation by Alex E. Chavez 7.Reclaiming 'the Border' in Texas-Mexican Conjunto Heritage and Cultural Memory by Cathy Ragland 8.Sounding Cumbia: Past and Present in a Globalized Mexican Periphery by Jesus A. Ramos-Kittrell 9.Southern California Chicanx Music and Culture: Affective Strategies within a Browning Temporal System of Global Contradictions by Peter J. Garcia 10.Listening from 'The Other Side': Music, Border Studies and The Limits of Identity Politics by Alejandro L. Madrid
This fascinating volume explores how music enables the definition of national and community-based identities, while at the same time its unstoppable flow makes it cross borders constantly. Nothing can stop the migration of sounds that express emotions intimately woven into identities produced in new territories. The authors in this volume address such paradox by examining different musical expressions of mexicanidad, a type of mexicanidad traversed by sounds that have migrated - such as cumbia or rumba - and which confronts a decentering of the nation. Thus, this original and provocative book approaches sonic spaces in terms of what I would call aural auras (to echo Walter Benjamin's idea): spaces that wrap identities in specific social contexts. Mexicanidad has an aural aura that changes, breaks, or disappears, and it is analyzed from very diverse perspectives in this book. -- Roger Bartra, Emeritus Researcher, Universidad Nacional Autonoma de Mexico This unique collective work explores the dialectic between national self-assertion and its subversion, through a remarkable range of situated musical practices. Its authors are committed both to ethnographic and theoretical engagement, even as they invite readers to familiarize themselves with the rich and varied soundscapes that are reshaping the very idea of "Mexican identity" today. -- Claudio Lomnitz, Columbia University
