A study at many levels of Scott's long poem Coming to Jakarta, a book-length response to a midlife crisis triggered in part by the author's initial inability to share his knowledge and horror about American involvement in the great Indonesian massacre of 1965. Interviews with Ng supply fuller information about the poem's discussions of: a) how this psychological trauma led to an explorations of violence in American society and then, after a key recognition, in the poet himself; b) the poem's look at east-west relations through the lens of the yin-yang, spiritual-secular doubleness of the human condition; c) how the process of writing the poem led to the recovery of memories too threatening at first to be retained by his normal presentational self, and d) the mystery of right action, guided by the Bhagavad Gita and the maxim in the Gospel of Thomas that "If you bring forth what is within you, what you bring forth will save you." Led by the interviews to greater self-awareness, Scott then analyses his poem as also an elegy, not just for the dead in Indonesia, but "for the passing of the Sixties era, when so many of us imagined that a Movement might achieve major changes for a better America." Subsequent chapters develop how human doubleness can lead to an inner tension between the needs of politics and the needs of poetry, and how some poetry can serve as a non-violent higher politics, contributing to the evolution of human culture and thus our "second nature." The book also reproduces a Scott prose essay, inspired by the poem, on the U.S. involvement in and support for the 1965 massacre. It then discusses how this essay was translated into Indonesian and officially banned by the Indonesian dictatorship, and how ultimately it and the poem helped inspire the ground-breaking films of Josh Oppenheimer that have led to the first official discussions in Indonesia of what happened in 1965.
Introduction I. INTERVIEWS WITH FREEMAN NG Introduction: The Stream One Lives By I.i-I.iii Wind-driven ghost of snow II.i-II.iii As if in a small plane II.iv-II.v The blind man's prophecy Appendix to II.iv-v "shalt lose all companions" II.vi-II.vii We who desired to prepare the soil II.viii-II.ix The world like myself II.x-II.xi Cave of winds II.xii-II.xiii Indonesia II.xiv-II.xv This world that can only be dominated II.xvi-II.xvii The ruthlessness that made possible II.xviii-III.ii Part of the enemy III.iii-III.v An ovenbird's nest III.vi-III.vii The brooding toils of energy III.viii-III.ix Like the heroes of all good tales III.x The stream one lives by III.xi-III.xii The known and unknown roadways III.xiii-III.xv Like giant doomed stars III.xvi-III.xvii The cool hissing of the bullets IV.i Beyond the mists IV.ii-IV.iii The music changing IV.iv-IV.v Those baffled eyes IV.vi Truth and nonviolence IV.vii-IV.ix Its propensity to distance IV.x-IV.xii Portending deluge IV.xiii-IV.xiv If a sentence is left dangling IV.xv !Djakarta se acerca! IV.xvi-IV.xviii Whirr of low wings V.i-V.ii The shadow play V.iii Let there be the courage II Trauma, Poetry, Politics, and the Mystery of Hope III America's Culpability in Indonesia, and Why We Should Acknowledge It IV "Gaps" of Consciousness; or, How Writing Coming to Jakarta Led Me to Deep Politics Preface to Chapter 5 V The CIA and the Overthrow of Sukarno, 1965-1967 Epilogue to Chapter 5 (2015) VI Catastrophe and Hope: Art and Better Politics
