Giacinto Scelsi (1905-1988), an extraordinary, innovative, and often controversial moving force in modern music, has been the subject of a vast amount of literary criticism, philosophical discussions, and groundbreaking performances. Originally in French, Scelsi's writings have been included in anthologies of prose, poetry, and memoires published in French, Italian, and German. For the first time, this volume brings selected writings into English. His writings enlighten the creative process and facilitate further the understanding of his musical message. Franco Sciannameo and Alessandra Carlotta Pellegrini provide two introductory essays followed by Scelsi's The Evolution of Harmony, The Evolution of Rhythm, Art and Satanism, Unity and Equalityof the Arts, Meaning of Music, Sound and Music, and Art and Knowledge-writings spanning from the early 1940s to February 1987. Additionally, the editors place Scelsi's aesthetical writings within a densely contextualized historical, social, and cultural landscape to provide scholarly yet approachable critical information. Iconographic plates, bibliography, discography, videography, websites and a comprehensive index complete the volume.
Franco Sciannameo is College of Fine Arts Distinguished Scholar & Teaching Professor of Music at Carnegie Mellon University in Pittsburgh, Pennsylvania. He is the author of Nino Rota's The Godfather Trilogy (2010), Phil Trajetta (Venice, 1776-Philadelphia, 1854), Patriot, Musician, Immigrant (2010), Experiencing the Violin Concerto (2016), Musicians' Migratory Patterns: The Adriatic Coast (2018), and Reflections on the Music of Ennio Morricone: Fame and Legacy (2020). Alessandra Carlotta Pellegrini, one of Italy's foremost musicologists and twentieth-century music specialists, has written on Casella, Nono, Petrassi, and Scelsi among many others. She has edited both Italian and French editions of Giacinto Scelsi's autobiography Il sogno 101 (both published in 2010). Pellegrini is the President of the Verdi National Archive, Professor at the Conservatorio "Domenico Cimarosa" in Avellino, and Scientific Director of the Fondazione Isabella Scelsi in Rome.
00a List of Figures 00b Preface by Eric Drott 00c Introduction and Acknowledgments PART ONE 01 Prologue 02 The Meaning of Music 03 The Evolution of Harmony 04 The Evolution of Rhythm 05 Art and Satanism 06 Unity and Equality of the Arts 07 Epilogue PART TWO 08 Introduction 09 Sound and Music 10 Art and Knowledge 11 Conclusion 12 Bibliography 13 Discography 14 Index 15 Authors' bios
