This interdisciplinary book honors Columbia professor and New York intellectual Carl Woodring. Chapters on Romantic and Victorian literary culture written by leading scholars in the field join in conversation with Woodring's teachings on literature and visual art and his commentaries on American culture. A multiple-authored chapter of postscripts on the aesthetic range of Woodring's intellectual interests across cultural disciplines, his contributions to English studies and his informing influence on several generations of scholars, and their areas of interest, follows. A chapter from Woodring's unpublished autobiography, on his childhood in small-town America, then concludes the volume with an ironic retrospection on intercultural origins. Topics addressed among the chapters include portraiture and self-fashioning, landscape art, physiognomy and caricatures, radical print ephemera, illustrated picaresque verse, social and political satire, traditions of the sublime in art and literature, transatlantic influences and aesthetics, chaos theory and the laws of thermodynamics, the Caribbean slave trade, revolutionary history, Napoleonic wars, the politics of multicultural communities, gender and race, marginalia and textual revelations, Native America, historical interchanges in curating museum shows, and contemporary American sculpture and art. Cultural figures of the nineteenth century that are featured in the discussions include Henry Adams, Beethoven, Blake, Byron, Willa Cather, Thomas Cole, Coleridge, James Fenimore Cooper, George Cruikshank, Ugo Foscolo, Washington Irving, Keats, Willibrord Mahler, George Romney, Rowlandson, Shelley, and Wordsworth. Chapter essays, commentaries, and Carl Woodring's unpublished writings function together in Nature, Politics, and the Arts: Essays on Romantic Culture for Carl Woodring-with a depth of original perspectives and a multi-voiced and intercultural coherence. The book as a whole testifies to Woodring's living and intellectually potent legacy for future students of nineteenth-century transatlantic culture and twenty-first century scholarship on literature and art.
Introduction Chapter 1: The Eroica in Its Artistic Context: Willibrord Joseph Mahler's Portrait of Beethoven John Clubbe Chapter 2: Thomas Cole and the Wild American Sublime George H. Gilpin Chapter 3: "To go down, bound": William Hone and the Materiality of Print Culture Steven E. Jones Chapter 4: Dark Humor, Cartoon Strips, and Other Raw Material for Don Juan Hermione de Almeida Chapter 5: Prying into the Melon: The Marriage of Private with Public in the Regency Era Robert L. Patten Chapter 6: Did Tom Jones Ever Go to Xanadu?: Two Meditations on A Life and Practice as a Historical Critic Elizabeth Kowaleski Wallace Chapter 7: American Wilderness Carl Woodring Chapter 8: Exhibition of Five English Romantic Poets in a Museum in Florence Carol Kyros Walker Chapter 9: George Romney's Shipwrecks Morton D. Paley Chapter 10: "My distressful pilgrimage": Byron's marginalia to Foscolo's Last Letters of Jacopo Ortis Jonathan Gross Chapter 11: Between Two Fires: Henry Adams and the Temperature of History Martin Meisel Chapter 12: Afterwords for Carl Woodring Nina Auerbach, G. Thomas Tanselle, William Theodore de Bary, Donald H. Reiman, Anne K. Mellor, Carl Dawson, Marsha Manns, Regina Hewitt, Robert M. Ryan, William Carl Gilpin Chapter 13: Almost Nobody: A Chronicle Carl Woodring Selected Bibliography: Carl R. Woodring Ben P. Robertson Contributors
