Moving Beyond Theoria Towards Theosis focuses on the telos of man as understood in Plato's theoria, envisioned in the allegory of the cave, and early Christian reinterpretation of theoria as theosis. In his famed allegory of the cave, Plato maintains that real life exists beyond our base perceptions of reality and is found in the realm of ideas. Theoria is eternal rest in this realm and is understood as the telos of mankind. Plato's theoria underwent change as it was reinterpreted under middle-Platonic and neo-Platonic thought. These systems incorporated a more mature idea of the divine than Plato, but still minimized the material world. This book explores how early Christianity inherited Plato's cosmology and terminology. Theoria was also reinterpreted within the Christian context. Eventually the term was abandoned for theosis. Theosis is beyond theoria, as it includes contemplation of the forms as well as union with the source of the forms and the affirmation of the material realm. In this volume, Justin A. Davis shows how the Orthodox use of icons can be key to understanding theosis. The icon is a material object that connects to a higher reality, and ultimately toward union with the divine. Plato's cosmology is collapsed and transfigured in union with the uncreated energy of God. Icons are the depiction of spiritual ascesis and the new telos of man, theosis.
Justin A. Davis is adjunct professor in the Philosophy Department at Boise State.
In Moving Beyond Theoria Towards Theosis, Justin Davis expertly explains how Plato's philosophy, in particular his metaphysics, has been appropriated by Christian history. The conditioning of Platonism in worship and life is demonstrated through the phenomenon of the Orthodox icon, which bridges the gap between reality and appearance. Davis has done the Church an important service by rearticulating critical distinctions with nuance for this generation. --V. Rev. Stephen De Young, GCAS College Dublin Justin Davis masterfully traces the historical passage of the Platonists' telos as knowledge-based theoria towards the Christian telos as relationship-based theosis. With warmth as well as scholarship, Davis progresses to show how this theosis or deification is epitomised in icons, which depict both the deifying Christ and His deified saints. He shows how symbolism as a 'drawing together' is best understood with this union of Creator and creation in mind. As Davis shows in his study of the various iconoclasms, 'the destruction of icons is a denial of the telos of man. It denies transformation.' A must-read for all who wish to understand contemporary culture and the challenges that it faces. --Aidan Hart, research associate of the Institute for Orthodox Christian Studies, Cambridge
