Noted as a 'civil poet' by Alberto Moravia, Pier Paolo Pasolini was a creative and philosophical genius whose works challenged generations of Western Europeans and Americans to reconsider not only issues regarding the self, but also various social concerns. Pasolini's works touched and continues to inspire students, scholars, and intellectuals alike to question the status quo. This collection of thirteen articles and two interviews evidences the on-going discourse around Pasolini's lasting impressions on the new generation. Pasolini's Lasting Impressions: Death, Eros and Literary Enterprise in the Opus of Pier Paolo Pasolini thus explores the civic poet's oeuvre in four parts: poetry, theatre, film, and culture. Although the collection does not include every genre in which Pasolini wrote, it addresses many, some which often receive little or no attention, particularly in Italian Studies of North America. The underlining theme of the book, 'death, eros and literary enterprise' intertwines these genres in a rather unique way, allowing for inter-disciplinary interpretations to Pasolini's rich opus. The edited volume concludes with two artists, Dacia Maraini and Ominio71's reflections on Pasolini in the 21st century. In fact, the cover represents a recent work on Ominio71 underscoring Pasolini's visual presence still within the Roman walls. In conclusion, this collection demonstrates how his works still influence contemporary Italian society and motivate intellectual dialogue through new theoretical outlooks on Pasolini's oeuvre.
Acknowledgments Introduction: Pasolini Studies-Forty Years in the Making Ryan Calabretta-Sajder Part 1: Pier Paolo Pasolini and Verse 1Pasolini's Poetry: The Language of the Mother Daniela Bini 2Jesus Narcissus: Pasolini's Self-Representation as Scapegoat and Martyr in His Friulan Verse William Van Watson 3Poetic Gazing: The "Word-Eye" in the Poetry of Pier Paolo Pasolini Flaviano Pisanelli Part 2: Pasolini and the Stage 4Pasolini's Orestiade, the Irrational and Greek Tragedy Francesca D'Alessandro Behr 5Dreams as Gendered Places: Feminist (Re)Awakenings in Pasolini's Calderon Ryan Calabretta-Sajder Part 3: Pasolini through the Lens 6Il"cinema di poesia" from Theory to Practice: The Case of Edipo Re Millicent Marcus 7Violence in Pier Paolo Pasolini's Cinema Francesco Rosetti 8The Bibliography of Salo: Eros, Sadism, and Avant-Garde in Pier Paolo Pasolini's Last Work Fabio Benincasa 9Oedipus and Medea According to Pasolini Giulia Tellini 10Pasolini's Decameron (1971): A Case of Cinematic Re-Creation Fulvio Orsitto 11Pictorial Allusion as a Distancing Technique from the Chaucerian Hypotext in The Canterbury Tales Ilaria Lanzarini Part 4: Pasolini and Italian Culture-Final Thoughts 12Pasolini as Prophet: From I Know to the Prophecy of Salo, or the 120 Days of Sodom Daniela Privitera 13Pier Paolo Pasolini's Influence on Contemporary Italian Culture Virginia Agostinelli Part 5: Interviews 14Interview with Omino 71 Fabio Benincasa 15Pasolini's Last Interview: Death, Eros, and Literary Enterprise in the Opus of Pier Paolo Pasolini-a Conversation with Dacia Maraini Ryan Calabaretta-Sajder Index About the Editors and Contributors
