Legendary director, actor, author, and provocateur Werner Herzog has incalculably influenced contemporary cinema for decades. Until now there has been no sustained effort to gather and present a variety of diverse philosophical approaches to his films and to the thinking behind their creation. The Philosophy of Werner Herzog, edited by M. Blake Wilson and Christopher Turner, collects fourteen essays by professional philosophers and film theorists from around the globe, who explore the famed German auteur's notions of "ecstatic truth" as opposed to "accountants' truth," his conception of nature and its penchant for "overwhelming and collective murder," his controversial film production techniques, his debts to his philosophical and aesthetic forebears, and finally, his pointed objections to his would-be critics--including, among others, the contributors to this book themselves. By probing how Herzog's thinking behind the camera is revealed in the action he captures in front of it, The Philosophy of Werner Herzog shines new light upon the images and dialog we see and hear on the screen by enriching our appreciation of a prolific--yet enigmatic--film artist.
M. Blake Wilson is assistant professor of criminal justice at California State University, Stanislaus. Christopher Turner is assistant professor of philosophy at California State University, Stanislaus.
Contents Acknowledgements Introduction Chapter 1. I Am What My Films Are: Listening to Herzog's Ecstatic, Essayistic Pronouncements David LaRocca Chapter 2. Herzog's Sublime and Ecstatic Truth: From Burke's Physiological Aesthesis to the Dionysian Unveiling Patricia Castello Branco Chapter 3. The Conquest of Uselessness as a Practice of Film and Thought Daniele Dottorini Chapter 4. Filmmaking and Philosophizing Against the Grain of Theory: Herzog and Wittgenstein Mihai Ometita Chapter 5. Nature and Meaning in Grizzly Man Marc Furstenau Chapter 6. Reflections from the Abyss: Herzog's Philosophy of Death M. Blake Wilson Chapter 7. Fake News and Ecstatic Truths: Alternative Facts in Lessons of Darkness Kyle Novak Chapter 8. The Great Ecstasy of Werner Herzog: Truth, Heidegger, Apocalypse Ian Alexander Moore Chapter 9. The Film Artist as Discoverer of the Marvels of Everyday Life: Toward a Kracauerian Reading of Werner Herzog Christopher Turner Chapter 10. Werner Herzog and Documentary as a Revelatory Practice Antony Fredriksson Chapter 11. On Experience and Illumination: Werner Herzog's Dialectical Relationship with Society Stefanie Baumann Chapter 12. Herzog's Philosophy of Masculinism Will Lehman Chapter 13. Herzog's Post-Tragic Aesthetic: A Kierkegaardian Perspective Anthony Eagan and Simon Thornton Chapter 14. Werner Herzog on Circles, Chickens and Impotency Tyler Tritten About the Contributors
"Even with so much already said and written (some of it by Werner, despite himself), this book shows that there is much left to think about Herzog's films, even while he warns us against thinking about them and then abandons us, leaving town for his next assignment."--Paul Cronin, from the Foreword "This outstanding collection of essays brings together a diverse group of philosophers and film scholars to tease out the philosophical significance of the work of a filmmaker who famously scoffs at scholarly interpretations of his films. Whether Herzog would approve of their efforts is unknown, but they have produced an indispensable "viewer's guide" for anyone interested in thinking more deeply about the themes of his films, such as the nature of truth, madness, and the shadow that death casts over our lives. It will enhance not only its readers' understanding of Herzog's films, but their enjoyment of them as well."--George A. Dunn, editor of The Philosophy of Christopher Nolan "Approaching Herzog's work from a wide variety of philosophical viewpoints--from Burke, Nietzsche, and Wittgenstein to Baudrillard, Heidegger, Adorno, and Kierkegaard--this volume offers an international cast of contributors who keep Herzog's films themselves deftly in focus. In doing so, they provide welcome illumination of Herzog's practices of filmmaking, his stylized self-stagings, and his astonishing achievements."--Richard Eldridge, Swarthmore College "Ecstatic truth and the sublime infuse the films of Werner Herzog. But what does that mean? The answer is in your hands. Engaging with the work of Burke, Nietzsche, Heidegger, and Wittgenstein, this book is essential reading for the philosophically inclined Herzog fan."--William Irwin, King's College, Pennsylvania
