Octavio Paz: Ontology and Surrealism discusses poet Octavio Paz (1914-1998), one of Mexicos most controversial intellectuals. Over several decades, Paz has been celebrated for his impact on literature and culture as a poet as well as an essayist, and he is recognized as a great thinker and as a student of German ontology and phenomenology. Roberto Sanchez Benitez analyzes in detail Paz's training within the European philosophical thinking of the twentieth century, as well as in the artistic avant-garde, to illustrate the way in which philosophical, anthropological, linguistic, sociological, literary, and artistic proposals enriched his work and Mexican culture during the post-revolutionary period. Sanchez Benitez posits that Paz moved from a phenomenological ontology to a historicism of the human condition, wherein morality, politics, and the arts all reside in an ideological context where dogmatisms where impose in the face of a lack of internal criticism. This book explores the themes of the poetic act that Paz associated with his ontological and surrealist readings, leading up to when they were transformed by his experience in India and the assimilation of Eastern philosophies, along with going through a set of Western proposals relating to love, eroticism, and art. Scholars of literature, philosophy, Latin American Studies, and history will find this book particularly useful.
Roberto Sanchez Benitez is professor-researcher at the Autonomous University of Ciudad Juarez
Acknowledgments Introduction Chapter 1: Poetics in Modernity Chapter 2: Erotic Metaphysics Chapter 3: Magnetic Fields Chapter 4: The Writing on Desire References About the Author
This book writen by Roberto Sanchez has an academic purpose but - above all - a tone that invites distant readers from the university world to follow the route of travelers that the author has unintentionally structured. It is not a book for tourists, it is for adventurers. It is an update of the thought and action of a universal Mexican poet installed in modernity to which he devoted so many pages to grasp it. Octavio Paz was not a courteous Mexican who avoided debate or confront. Unlike the good and very fine manners of Alfonso Reyes, Paz stood up in the face of circumstances and exposed, debated, criticized. "Asking permission" was not part of his temper. With his book, Roberto Sanchez -a passionate about the work of a poet- acts as a gambusino so as not to leave the universal streaks of an essential Mexican in the Spanish language without light. -- Raul Mejia The poet reveals from the unspoken; he is always thinking about something else, his true being is elsewhere, he is nobody, none, but he is everyone and everything, he looks at and writes with passion: the passion for language, the language of passion, because the powers of the word are not different from those of passion. This is the spirit that runs through the pages of this wooded book, sometimes intricate, sometimes flat, but always bright and pleasant, around the labyrinths of being and the surreal influence on the work of Octavio Paz, undoubtedly the poet who has fully exercised the freedom of the poetic thinking in Mexican poetry. The skillful and documented essay by Roberto Sanchez Benitez manages to unravel in Octavio Paz the condition so dear to Osip Mandelstam that the poet, the true poet, is always a disturber of meaning. -- Jorge Bustamante Garcia Thorough, sensitive, by the hand of his philosophical knowledge and his attraction to literature - his way of doing philosophy -, with a broad understanding of the work of the author who is the subject of this book, Roberto Sanchez Benitez makes clear the magnetic fields with which Octavio Paz shaped his ideas about the poem as a site of contradictions, about poetry in society, poetry as a critique of society, about being and its freedoms: ontology and surrealism. Sanchez Benitez imposed himself on reading a work whose author, eager to establish a relationship with the other, the other, placed himself in a large discussion with a long horizon: a poet of his time, to whom one must always return. -- Carlos Gutierrez Alfonzo, CIMSUR, UNAM, Chiapas Mexico
