Contemporary Japanese horror is deeply rooted in the folklore of its culture, with fairy tales-like ghost stories embedded deeply into the social, cultural, and religious fabric. Ever since the emergence of the J-horror phenomenon in the late 1990s with the opening and critical success of films such as Hideo Nakata's The Ring (Ringu, 1998) or Takashi Miike's Audition (Odishon, 1999), Japanese horror has been a staple of both film studies and Western culture. Scholars and fans alike throughout the world have been keen to observe and analyze the popularity and roots of the phenomenon that took the horror scene by storm, producing a corpus of cultural artefacts that still resonate today. Further, Japanese horror is symptomatic of its social and cultural context, celebrating the fantastic through female ghosts, mutated lizards, posthuman bodies, and other figures. Encompassing a range of genres and media including cinema, manga, video games, and anime, this book investigates and analyzes Japanese horror in relation with trauma studies (including the figure of Godzilla), the non-human (via grotesque bodies), and hybridity with Western narratives (including the linkages with Hollywood), thus illuminating overlooked aspects of this cultural phenomenon.
Fernando Gabriel Pagnoni Berns is assistant professor at the Universidad de Buenos Aires. Subashish Bhattacharjee is assistant professor of English at the University of North Bengal. Ananya Saha is PhD scholar in the Centre for English Studies, Jawaharlal Nehru University.
Introduction: Fernando Gabriel Pagnoni Berns and Subashish Bhattacharjee Part 1: National Traumas and Repressions Chapter 1: The Ghost of Imperialism: Japan's Forgotten Horrors in the Shadow of Sadako. Calum Waddell Chapter 2: A Modern Monster: Shin-Godzilla and its Place in the Discourse Concerning 3.11 and National Resilience. Barbara Greene Chapter 3: Cultural Trauma, Cross-Flow of Aesthetics, and the Child: A Comparison between Ringu and The Ring. Bipasha Mandal Chapter 4: Space, Smoke and Mirrors: The Frightening Ambiguity of Ju-On: Origins (2020). Daniel Kratky Chapter 5: "The Dead Speak: Horror and the Modern Ghost in Eiji Otsuka's The Kurosagi Corpse Delivery Service. Megan Negrych Part 2: Posthuman Monsters and Grotesque Bodies Chapter 6: "Love in a Chair": Industrialization and Exploitation Edogawa Rampo's "The Human Chair" and Junji Ito's Manga Adaptation. Leonie Rowland Chapter 7: The Monstrous Feminine in Mari Asato's J-Horror Films. Canela Ailen Rodriguez Fontao and Mariana Zarate Chapter 8: Composite Corpses and Viruses of Viewing: J-Horror as Film and Media Theory. William Carroll Chapter 9: Spiral into Samsara in Junji Ito's J-Horror Masterpiece Uzumaki. Wayne Stein Chapter 10: Controlling the Inner Demon: Theological Approaches on Devilman. Fernando Gabriel Pagnoni Berns Part 3: Cultural Flows Chapter 11: The Transpacific Complicity of J-Horror and Hollywood. Sean Hudson Chapter 12: Revisiting the Orphan Girl Narrative in Rule of Rose. Ingrid Butler Chapter 13: Idol Culture and Gradations of Reality in Japanese Found Footage Horror Films. Dennin Ellis Chapter 14: Obscure, Reveal, Repeat: Hidden Worlds and Uncertain Truths in Koji Shiraishi's The Curse and Occult. Lindsay Nelson About the Editors About the Contributors
