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Haiku, Other Arts, and Literary Disciplines

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Haiku, Other Arts, and Literary Disciplines investigates the genesis and development of haiku in Japan and determines the relationships of haiku with other arts, such as essay, painting, and music, as well as the backgrounds of haiku, such as literary movements, philosophies, and religions that underlie haiku composition. By analyzing the poets who played major roles in the development of haiku and its related geners, these essays illustrate how Japanese haiku poets, and American writers such as Emerson and Whitman, were inspired by nature, especially its beautiful scenes and seasonal changes. Western poets had a demonstrated affinity for Japanese haiku, which bled over into other art mediums, as these chapters discuss.
Yoshinobu Hakutani is professor of English and a University Distinguished Scholar at Kent State University. Toru Kiuchi is professor of English at Nihon University in Japan.
Part I: Haiku and Other Arts Chapter 1: Classic Haiku and Cy Twombly's Modern Painting Yoshinobu Hakutani Chapter 2: Basho and Haiga Toru Kiuchi Chapter 3: Buson as Haiku Poet and Painter Noboru Fukushima Chapter 4: Jack Kerouac's Haiku and the Beat Generation Yoshinobu Hakutani Chapter 5: Sonia Sanchez's Morning Haiku and Blues Music Heejung Kim Chapter 6: James Emanuel's Haiku and Jazz Yoshinobu Hakutani Chapter 7: North American Versions of Haibun and Postmodern American Culture Bruce Ross Part II: Haiku and Literary Disciplines Chapter 8: Basho, Kerouac, and Confucianism Yoshinobu Hakutani Chapter 9: Richard Wright' Haiku and Zen Buddhism Toru Kiuchi Chapter 10: American Haiku and American Transcendentalism Tom Lynch Chapter 11: Haiku, Ezra Pound, and Imagism Yoshinobu Hakutani Chapter 12: Haiku and Modernism in Japan Toshio Kimura Chapter 13: American Haiku in the New Millennium: The First Two Decades Ce Rosenow Chapter 14: Richard Wright's Haiku and African Culture Yoshinobu Hakutani Chapter 15: Creating African American Haiku Form: Lenard D. Moore's Poetic Artistry Toru Kiuchi Chapter 16: Robert Spiess's Haiku: Translating for Better Understanding John Zheng
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