Examines the function of violence in the making of the anatomical image during the early modern era, exploring its effects on the production of knowledge and on concepts of the body.
In early 1910s, two pioneering women entrepreneurs, Nadezhda Dobychina in St Petersburg and Klavdia Mikhailova in Moscow
set up two of the first art galleries in Russia. Skilfully balancing current art market trends and daring avant-garde
experimentations, Dobychina and Mikhailova soon transformed their establishments into vibrant centres of ......
In 1944 a battle in the art world was knocking World War II off front pages. Angry and disappointed contestant, Mary Edwards, launched a Supreme Court attack on famous innovator, William Dobell, and the judges who gave him the Archibald Prize—world’s richest portrait prize.
Seven Motif Sketches of Rudolf Steiner: Studies by Gerard Wagner
Based on Rudolf Steiner's indications, Gerard Wagner shows a wholly new approach to the human form in art. The Art of Colour and the Human Form presents the seven motif sketches concerned with the "spirit form of the human being," as well as numerous studies that Gerard Wagner painted over a period of thirty years. The intention of this volume is ......
Death and Redemption in Medieval Europe, 1000-1200
Studies Romanesque effigies as a distinctive form of medieval sculpture, emphasizing the early twelfth century as a time of rapid change in the art, culture, and politics of northern Europe.
The Scientific Artworks of Dr. Jean-Martin Charcot and the Salpetriere S
In this book, Natasha Ruiz-Gomez delves into an extraordinary collection of pathological drawings, photographs, sculptures, and casts created by neurologists at Paris's Hopital de la Salpetriere in the nineteenth century. Led by Dr. Jean-Martin Charcot (1825-1893) and known collectively as the Salpetriere School, these savants-artistes produced ......
Esther Pressoir: A Modern Woman's Painter situates Esther Estelle Pressoir's body of work within the effervescent art scene of the early 20th century, both in America and abroad. The first book to present the wide-ranging oeuvre of this American modernist, it covers the span of Pressoir's long life (1902-86) with a particular focus on the interwar ......
Elisabetta Sirani of Bologna (1638-1665) was one of the most innovative and prolific artists of the Bolognese School. Not only a painter, she was also a printmaker and a teacher. Based on extensive archival documentation and primary sources - including inventories, sale catalogues and her work diary - Elisabetta Sirani provides an overview of the ......
'Don't look at him. He is dangerous to look at,' said Lady Liddell to her daughter in 1817. Handsome, charismatic, aristocratic and allegedly 'mad, bad and dangerous to know', Lord Byron (1788-1824) is one of the most captivating and recognisable figures of the Romantic Age. His face, figure and appearance added greatly to the appeal of his poetry ......