Since the publication in 1939 of Frank Lloyd Wright’s An Organic Architecture, Lund Humphries has been a leading publisher of illustrated art books. With our roots in British Modernism, our list today encompasses books for art specialists, professionals and enthusiasts across all periods and genres. We value high-quality design and reproduction, serious but accessible writing, and unique collections of reference material.
An additional recent stream of publishing on art business and art markets is aimed at art professionals, students and collectors and introduces readers at all levels to the workings of the art world. As a pioneer of museum co-publications in the 1980s, Lund Humphries still regularly collaborates with major museums and galleries around the world. We also regularly work in partnership with artists, estates, foundations and galleries to publish illustrated monographs and complete catalogues of modern and contemporary artists.
Painter and art educator Eric Atkinson taught on the Basic Course at Leeds College of Art in the 1950s and 60s. David Lewis was one of his students. This volume contains a spirited exchange of letters between them, and an insight into the creative processes at the heart of art education.
Henry Flitcroft was first employed by the leading aristocratic architect of the time, Richard Boyle, Lord Burlington, who helped him to establish his long career. Flitcroft had about 50 clients over 40 years, working for many dynasties, including the royal family, the Bedfords, the Yorke/Hardwickes and the Malton/Rockinghams. Remarkably, he was ......
Classicism is ubiquitous, from the facade of Selfridges to the letterhead of The Times, to the pedimented porches of neo-Georgian housing estates. This book invites readers to discover in their surroundings a rich language of form which is there to be revealed. It discusses the pleasures and problems of post-medieval architectural classicism, ......
Alois Derso (1888-1964) and Emery Kelen (1896-1978) were remarkable cartoonists who became internationally renowned, particularly for their depictions in the 1920s of efforts to build a better world following the establishment of the League of Nations; of the rise of fascism in the thirties; and of the world cooperation through the United Nations ......
John Ward (b.1938) has a longstanding reputation as one of Britain's foremost potters, and yet very little has been written about his manifold achievements. Authoritative and enlightening, this will be the first account of Ward's life and work, tracing the evolution of his ideas and his practice as a potter and placing them critically within the ......
This book offers the first critical account of Studio Aalto's religious modern architecture. Aalto's ecclesiastical oeuvre is viewed as an evocative subgenre of the practice's portfolio, but its relationship to religion has eluded enquiry. Where previously discussed, the longstanding collaboration between Aalto and the Church has been put down to ......
Public Spaces / Private Passions critically examines the growth of private museums in the 21st century, their impact on public institutions and what the future might look like. It is essential reading for museum professionals, art collectors, critics and cultural commentators and anyone working in the art trade.
For sculptors Alfred Gruber (1931-1972) and Jacqueline Stieger (b.1936), their meeting in 1962 marked the start of a bountiful partnership - their artistic chemistry conjuring works that exploited the transformative qualities of common and precious metals. Chronicling their intertwined stories, which saw Gruber reach his pinnacle as a solo artist ......