Since the publication in 1939 of Frank Lloyd Wright’s An Organic Architecture, Lund Humphries has been a leading publisher of illustrated art books. With our roots in British Modernism, our list today encompasses books for art specialists, professionals and enthusiasts across all periods and genres. We value high-quality design and reproduction, serious but accessible writing, and unique collections of reference material.
An additional recent stream of publishing on art business and art markets is aimed at art professionals, students and collectors and introduces readers at all levels to the workings of the art world. As a pioneer of museum co-publications in the 1980s, Lund Humphries still regularly collaborates with major museums and galleries around the world. We also regularly work in partnership with artists, estates, foundations and galleries to publish illustrated monographs and complete catalogues of modern and contemporary artists.
Ori Gersht's artistic practice bridges a history that is full of traumas, whether it is the scars left on the sunlit yet war-torn buildings in Sarajevo, the white noise of his train journey to Auschwitz, or the clearing of trees in a forest that once stood witness to mass murder in the Ukraine.
Chinese Antiquities: An Introduction to the Art Market provides an essential guide to the growing market for Chinese antiquities, encompassing all sectors of the market, from Classical Chinese paintings and calligraphy to ceramics, jade, bronze and ritual sculpture.
Edward Burra (1905-76) was an English painter who is best known for his paintings of the seedy underworld of urban life. Yet, as this fascinating new monograph on his work reveals, his interests were much broader, incorporating landscape and still-life paintings, stage designs, book illustration and watercolours.
A 4-volume study of Russian painter Kazimir Malevich (1879-1935) is founded on many decades of research in Russia, Western Europe and the US. It uncovers many documents, and sheds a new light on Malevich's pivotal role in the development of modern art, offering a radially different interpretation.
Since the mid-1950s, when Anthony Caro first announced himself as a young sculptor to be reckoned with, he has restlessly explored an unpredictable range of sculptural possibilities, testing limits and positing new ideas about the nature of eloquent three-dimensional objects. This boxed set examines various aspects of Caro's evolution.
Though Anthony Caro's oeuvre is most readily identified by large-scale and plinthless sculptures that sometimes dwarf the viewer, he has directed a significant portion of his energies over the years to the production of domestically sized pieces in a variety of media. This volume explores this underappreciated course of Caro's prolific output.
Surveys Caro's free-standing, floor-based, constructed, abstract sculptures from 1960 onwards. The author explores the idea of presence in Caro's sculpture, focusing on the way that in order to invest sculpture with an independent existence and self-contained reality, it was necessary for Caro to purge it of figurative references.
Henry Moore's Shelter Drawings are universally recognised as a key element of his oeuvre. However, these drawings should not be seen in isolation. This title presents an account of the development of Moore's work as a draughtsman, providing a discussion of this significant aspect of his artistic output.
This work catalogues the National Portrait Gallery's collection of portraits in all media produced between 1685 and 1714, and includes new research from the Gallery's curators and art historian John Ingamells.
