To explore the depth of the literary connection between William Carlos Williams and Frank O'Hara, particularly in relation to their American roots, this book examines their distinct responses to Abstract Expressionism, or the New York School artists. Although an outsider to this movement, Williams paid attention to its increasing popularity and ......
This book places prison witness at the center of discussions of the human experience of law and order, and of the nature of the rights-bearing person. Readings of canonical and contemporary writers facing incarceration yield abiding literary tropes that chart the path from institutional abjection toward the minimal threshold of personhood.
Women and Comedy: History, Theory, Practice brings together leading researchers from Canada, the United States, and Europe in an interdisciplinary collection of essays to chart the future of critical inquiry in gender and comedy studies.
Women and Tudor Tragedy explores the interconnected relationships of women as writers, dramatic characters, and political participants in Tudor England to reveal the importance of these to the understanding of women's place in English culture, political, and religious life.
Liturgical Time and Poetic Re-enchantment, 18271935
Worlds of Common Prayer exposes the surprisingly radical potential of nineteenth- and twentieth-century book-length liturgical poetry. Major authors as dissimilar as Christina Rossetti and T.S. Eliot used the Anglican liturgical calendar as a weapon to break the order of clock time and destabilize the secular world order.
Worlds of Hungarian Writing responds to the rapidly growing interest in Hungarian authors throughout the English-speaking world. Addressing an international audience, the essays in the collection highlight the intercultural contexts that have molded the conventions, genres and institutions of Hungarian writing from the nineteenth century to the ......
Literature, Race, and National Identity in Nineteenth-Century Cuba and t
Writing for Inclusion examines four nineteenth-century Afro-Cuban and African American writers-Juan Francisco Manzano, Frederick Douglass, Martin Morua Delgado, and Charles W. Chesnutt-whose works provide examples of self-emancipation, interrogate the terms of exclusion from the nation, and argue for inclusive visions of national identity.
Literature, Race, and National Identity in Nineteenth-Century Cuba and
Writing for Inclusion examines four nineteenth-century Afro-Cuban and African American writers-Juan Francisco Manzano, Frederick Douglass, Martin Morua Delgado, and Charles W. Chesnutt-whose works provide examples of self-emancipation, interrogate the terms of exclusion from the nation, and argue for inclusive visions of national identity.
The Yearbook of Transnational History is dedicated to disseminating pioneering research in the field of transnational history. This seventh volume brings together examples of four different world migration systems, that of the Black Atlantic, of early modern religious migrations, exile in the nineteenth and twentieth centuries, and twenty-first ......
