This lavishly-illustrated book re-assesses the work of the nineteenth-century botanical painter Marianne North (1830-1890) and the purpose-built gallery that houses her paintings at the Royal Botanical Gardens, Kew. Lynne Howarth-Gladston, a trained botanical illustrator and scholar, re-examines Norths working methods.
The third title in an exciting new series called Unicorn Icons, bringing out-of print biographies and autobiographies of celebrated artists and key figures from the world of art back into print.
Fidelia Bridges (1834-1923) painted pictures that critics praised for their ability to exude the fragrance of field flowers and glow with the plumage of birds. Raised in Salem and long residing in Connecticut, she maintained a studio in New York City, where she exhibited her art for over forty years at the National Academy, American Watercolor ......
By 1862, just a decade after its launch as a study collection for art and design, the Victoria and Albert Museum had become a reference resource for collectors, scholars and art-market experts. Enriching the V&A, the final volume in a trilogy of books on the museum's 19th-century history, describes how the young museum's rapid growth ......
A collection of Landseer's drawings have been brought together alongside a fascinating history of his life and times. These playful and subversive private drawings provide and intriguing counterpoint to the grandeur of Landseer's acknowledged masterpieces.
Examines theater and portraiture as interrelated social practices in seventeenth-century Spain. Features visual images and cross-disciplinary readings of selected plays that employ the motif of the painted portrait to key dramatic and symbolic effect.
Explores the early works of seventeenth-century Spanish painter Diego Velázquez. Focuses on works from 1617 to 1623, examining the painter’s critical engagement with the artistic, religious, and social practices of his native Seville.
This is the first book to address the long art history of dynastic marriage exchange between Denmark and Britain between 1600 and 1900. It explores an intersection of three themes trending in early modern studies: portraiture, gender and the court as a centre of cultural exchange. This work re-evaluates the construction and staging of gender in ......