Material matters in new Chinese art, which presents its subjects through the directness and immediacy of its material. This book applies theories by Osborne and Danto to new Chinese art to show how artists are working below the level of language to make each work of art prove that it is art.
Chinese Silk in the Early Modern Transpacific Trade, 1500-1700
An Object of Seduction explores the early modern trans-Pacific export of Chinese silk to New Spain. It argues that the increasing demand for silk contributed to the parallel development of silk fashion and sericulture in China and New Spain, and also created conflicts on imperial regulations about foreign trade and hierarchical systems.
Chinese Silk in the Early Modern Trans-Pacific Trade, 1500-1950
An Object of Seduction explores the early modern trans-Pacific export of Chinese silk to New Spain. It argues that the increasing demand for silk contributed to the parallel development of silk fashion and sericulture in China and New Spain, and also created conflicts on imperial regulations about foreign trade and hierarchical systems.
This book examines the cultural heritage of Inner Eurasia (Central Asia) through the arts, from prehistoric times to the ancient and medieval golden ages. The manuscript features extensive analysis of multiple Inner Eurasian cultural groups, their artistic traditions, and the development thereof throughout the region's history.
An American Scholar's Role in Resurrecting the Art of Japan
Fenollosa's Legacy in Late Nineteenth Century Japan: An American Scholar's Role in Resurrecting the Art of Japan makes a critical assessment of American art theorist Ernest F. Fenollosa's work in Meiji Japan. Ernest F. Fenollosa was first hired as a Tokyo University professor of political philosophy in 1878 but became an art theorist and ......
The Garden of Perfect Brightness (Yuanming Yuan) in the western suburbs of the Qing capital, Beijing, was begun by the great Kangxi (r. 1661-1722) and expanded by his son, Yongzheng (r. 1722-1735) and brought to its greatest glory by his grandson, Qianlong (r. 1736-1796). A lover of literature and art, Qinglong sought an earthly reflection of his ......
Looks at the decorative military art of the Ottomans, and describes the masterpieces from various collections around the world, including the Topkapi Saray Museum in Istanbul, the National Museum In Cracow, the Freer Gallery of Art in Washington DC, the Nationalbibliothek in Vienna, and elsewhere.
A black and white presentation of sacred art and statuary, along with an introduction to its meaning. This book includes 40 pages of black and white photographs and descriptions of fine Tibetan statues and paintings.
Spirit Consonance in Chinese Landscape Painting and Some Kantian Echoes
This book discusses qiyun aesthetics in Chinese painting formulated by leading sixth to fourteenth-century intellectual elite. In light of Kant's account of artistic genius, it considers the role of the mind in creating a painting replete with qiyun, thereby both demystifying qiyun aesthetics and illuminating some limitations in Kant's aesthetics.