A leading West Coast modernist, Victor Arnautoff reigned as San Francisco's leading mural painter during the New Deal era. Yet that was only part of an astonishing life journey from Tsarist officer to leftist painter that reflected a century of tumult in politics and art.
Robert W. Cherny's masterful biography of Arnautoff braids ......
Modernist design, that radical and iconoclastic break with the past, is now itself a thing of the past. Perhaps sufficiently so that over the last few years, artists have been treating modernist designs as icons themselves, and incorporating them-sometimes literally and often conceptually-into their own work. These recombinations and modifications ......
Antonio Lopez Garcia's Everyday Urban Worlds: A Philosophy of Painting is the first book to give the famed Spanish artist the critical attention he deserves. Born in Tomelloso in 1936 and still living in the Spanish capital today, Antonio Lopez has long cultivated a reputation for impressive urban scenes-but it is urban time that is his real ......
Impossible Images brings together a distinguished group of contributors, including artists, photographers, cultural critics, and historians, to analyze the ways in which the Holocaust has been represented in and through paintings, architecture, photographs, museums, and monuments.
Impossible Images brings together a distinguished group of contributors, including artists, photographers, cultural critics, and historians, to analyze the ways in which the Holocaust has been represented in and through paintings, architecture, photographs, museums, and monuments.
William Packer examines the work of John Houston, the Fife-born Scottish painter who delights in hot, pure colour, gestural brush strokes and the explosive effects of the sea and sky. John Houston was educated at Edinburgh School of Art.
An exploration of the relationships between modernist artists and writers, and their responses to the immediate challenges of their time, to the implications of Freudian psychology, to molecular theory, to relativist theory, and to the general weakening of religious faith.
A collection of essays on the quotidian in philosophy, cinema, theater, photography, and other visual arts in postwar France, published in conjunction with an exhibition of contemporary French artists at the Grey Art Gallery of New York University in spring 1997. Includes many color photos. No inde
