On the heels of Moneygame, photographer Elizabeth Waterman's acclaimed series on strippers across the United States, the lockdown prevented access to crowded and possibility superspreader nightclubs. To move forward, she conceived Candyland, a new series of images, this time centred on female adult entertainers set against colour-washed, ......
The Calumet Region: An American Place presents a series of black and white images by an insightful observer of Northwest Indiana's industrial/residential landscape. A professional architectural photographer, established fine artist, educator, and historian, Gary Cialdella found himself drawn to the region of his youth for a photographic ......
Italian Seventeenth-Century Paintings Come to America
A collection of essays on the American collecting of Italian Baroque paintings in the nineteenth and twentieth centuries. Looks at the influence of art exhibitions and exhibition catalogues on the understanding and popularity of Italian Baroque art.
Britain at War in Colour showcases 100 of the best rare and original colour images of the Second World War from the IWM photograph collection. Featuring new and never-before published images in a beautiful hardback album format, these graphic and powerful images bring the Second World War to life.
ISBN-13: 9781912423361
(Hardback)
Publisher: UNICORN PRESS Imprint: IMPERIAL WAR MUSEUM
Explores art history and imaginative literature to show how fiction and history inform each other. Traces the modern idea of the artist to the epic tradition from Homer and Ovid to Dante, leading to Michelangelo. Examines how Vasari shaped Balzac's idea of the artist, and Balzac influenced Picasso's.
Comparing the verbal images of the book of Revelation to the visual images of Asia Minor, Andrew R. Guffey argues that Revelation is to be "seen" and not just read. By engaging Revelation as a visual text, Guffey reinserts it into the art history of early Christianity.
An exploration of how our sense of politics, morality and culture is affected when we are exposed to gruesome images of accidents and disasters, murder and execution, grief and death. The author argues that documentary photography, for all the horror it reproduces, ultimately defines a democracy.
The photographs are a compact summary of Bob Mazzers' work since the 1960s: photographs from London, including the famous Underground images; hippie life in Wales; loving life in France; expanding life in the USA and local life in Hastings.
The photographs are a compact summary of Bob Mazzers' work since the 1960s: photographs from London, including the famous Underground images; hippie life in Wales; loving life in France; expanding life in the USA and local life in Hastings.
