* The country with (virtually) no tourists * No rocks in Bangladesh * Top London lawyer turns photographer * No entry for Rolls that went everywhere (Times Headline)
Inspiration from America's Special Tropical Island
Bright colors, floral patterns, and cottage-styles are all design choices associated with the Florida Keys. Key West, one of the most famous tropical islands in the world, embodies the ideas of the Florida Keys while also presenting its own style and culture. In Leslie Linsley's Key West Cottages & Gardens, lovers of the Key West architectural and ......
Roger Bamber, for fifty years one of Britain's leading photojournalists, has poured his life's work into this unique reflection of a career that encompassed not only riots and bombings and the crazy world of rock and pop in the twentieth century but recorded with a sympathetic eye the demise of traditional British industries and the old steam ......
This publication offers a rich and expansive visual record of Julie Brook's artistic practice, and proposes a unique collaboration between Brook and distinct voices from the nature writing and craftsmanship traditions. Situating Brook's practice in the context of critical reflections by Robert Macfarlane, Alexandra Harris and Raku Jikinyu, the ......
Photography, Property, and the Aesthetics of Racial Capitalism
"Through close attention to the centrality of involuntarity in pivotal nineteenth-century American court cases that created new property relations with photographs, this book offers a historically situated theory of photography in terms of expression and an archivally-supported theory of whiteness as an aesthetics of racial capitalism"--
Photography, Property, and the Aesthetics of Racial Capitalism
"Through close attention to the centrality of involuntarity in pivotal nineteenth-century American court cases that created new property relations with photographs, this book offers a historically situated theory of photography in terms of expression and an archivally-supported theory of whiteness as an aesthetics of racial capitalism"--
Race and Vision in the Nineteenth-Century United States presents twelve essays by cultural critics that expose fraught relations of identity and race in architecture, scientific discourse, art, photography, music, and theater, juxtaposed with prominent writers about race and identity, such as Herman Melville and Harriet Beecher Stowe.
"With a moonless sky this early morning, it is eerily dark out here, and I can feel the weight of the hot and humid South Florida air. As I head toward the sound of the rolling ocean surf ahead of me, the soft beach sand shifts beneath my feet, making it hard for me to walk while balancing my two cameras and a heavy tripod. Even though I go out ......
