This book examines how Hollywood has promoted the myth of the American White male savior and the way in which this myth has negatively affected people of color throughout U.S. history.
This book celebrates the 100 greatest superhero films and tv shows from the early 1940s to the present. Each entry includes a plot summary, background information, production details, critical reception, box office results, awards, and commentary assessing the film or show's contribution to the superhero genre and popular culture.
This book examines the significance of the thirty-two Krimi films produced by Rialto Film from 1959 to 1972, canonizing their role in the era of German popular cinema during Krimi's rise to popularity and inevitable decline and evolution.
This book explores contemporary existential science fiction media and their influence on society's conceptions of humanity. These media texts manifest abstract concepts in a genre that has historically focused on exploring new ideas and frontiers, creating powerful media that helps audiences contemplate their existence as human beings.
This study analyzes North Korean comedy films from the late 1960s to present day. It analyzes their role in the culture of the film industry, the subjectivity of the viewer, and the impact popular actors and comedians have had on North Korean society.
Critical Essays on Film, Literature, Anime, Video Games
This book investigates the philosophical, socio-cultural, and artistic world of Japanese horror through a varied range of case studies, including video games (Rule of Rose), manga (Uzumaki), and anime (the classic Devilman). Film is represented with well-known works such as Ringu and overlooked filmmakers like Mari Asato.
The Paths of Zatoichi charts the history and continuing influence of the Japanese film and TV franchise about Zatoichi the blind swordsman, both within the Japanese media industriesand within global popular culture.
Japanese Horror, Fractured Realities, and New Media
This book examines Japanese horror films released from the 2010s to present day, analyzing the function of computers, smartphones, and social media in the narratives, dissemination, and consumption of these films. Lindsay Nelson argues that the multitude of screens creates a sense of fractured reality in contemporary Japanese horror.
Contributors analyze the theme of violence in the film adaptations of Stephen King's work, ranging from his earliest movies to the most recent, through a variety of lenses.
