This book examines the significance of the thirty-two Krimi films produced by Rialto Film from 1959 to 1972, canonizing their role in the era of German popular cinema during Krimi's rise to popularity and inevitable decline and evolution.
This book explores contemporary existential science fiction media and their influence on society's conceptions of humanity. These media texts manifest abstract concepts in a genre that has historically focused on exploring new ideas and frontiers, creating powerful media that helps audiences contemplate their existence as human beings.
This study analyzes North Korean comedy films from the late 1960s to present day. It analyzes their role in the culture of the film industry, the subjectivity of the viewer, and the impact popular actors and comedians have had on North Korean society.
Critical Essays on Film, Literature, Anime, Video Games
This book investigates the philosophical, socio-cultural, and artistic world of Japanese horror through a varied range of case studies, including video games (Rule of Rose), manga (Uzumaki), and anime (the classic Devilman). Film is represented with well-known works such as Ringu and overlooked filmmakers like Mari Asato.
Contributors analyze the theme of violence in the film adaptations of Stephen King's work, ranging from his earliest movies to the most recent, through a variety of lenses.
This book analyzes Hungarian and Romanian cinema employs a film historical overview to merge the study of small national cinemas with film genre theory and cultural theory.
Seeing the Apocalypse: Essays on Bird Box is the first volume to explore Josh Malerman's best-selling novel and its recent film adaptation. The essays in this collection offer an interdisciplinary approach to Bird Box, one that draws on the fields of gender studies, cultural studies, and disability studies.
Flannery O'Connor's fiction continues to haunt American readers, in part because of its uncanny ability to remind us who we are and what we need. This book reveals the extent to which O'Connor was a serious reader of the history of political philosophy and why O'Connor feared that the habit to govern by tenderness would lead to terror.
This book uses an intercultural communication lens to analyze six cross-cultural films and their depictions of migration, mobility, and the resulting intercultural communications. It argues that the results of these complex and stressful moments of conflict include personal growth, oppression, familial or social separation, and loss of identity.
