Features a selection of Hall's love letters to Evguenia Souline, a White Russian emigre with whom Hall fell in love in the summer of 1934. These letters detail Hall's growing obsession, the pain to her life partner Una Troubridge of this betrayal, and the poignant hopelessness of a happy resolution for any of the three women.
Features a selection of Hall's love letters to Evguenia Souline, a White Russian emigre with whom Hall fell in love in the summer of 1934. These letters detail Hall's growing obsession, the pain to her life partner Una Troubridge of this betrayal, and the poignant hopelessness of a happy resolution for any of the three women.
Contains essays that focus on how Woolf's public experience and knowledge of same-sex love influences her shorter fiction and novels. This book includes personal narratives that trace the experience of reading Woolf through the 60s, 70s, 80s, and 90s. It provides lesbian interpretations of novels, including Orlando, The Waves, and The Years.
Deals with Virginia Woolf's lesbianism. This title focuses on how Woolf's private and public experience and knowledge of same-sex love influences her shorter fiction and novels.
A study of queer Latino America. Drawing on diverse cultural examples such as bolero, salsa, film, literature and correspondence, it flips the stereotype around, showing how Latin/o American lesbians and gays have consistently eschewed notions of sexual identity for a politics of intervention.
A study of queer Latino America. Drawing on diverse cultural examples such as bolero, salsa, film, literature and correspondence, it flips the stereotype around, showing how Latin/o American lesbians and gays have consistently eschewed notions of sexual identity for a politics of intervention.
Americans have long held fast to a rigid definition of womanhood, revolving around husband, home, and children. Women who rebelled against this definition and carved out independent lives for themselves have often been rendered invisible in US history. This title brings to light the lives of two generations of autonomous women.
Chekhov's barbed comment suggests the climate in which Sophia Parnok was writing, and is an added testament to the strength and confidence with which she pursued both her personal and artistic life. This book is divided into seven chapters, which reflect seven natural divisions in Parnok's life.
Anton Chekhov's barbed comment suggests the climate in which Sophia Parnok was writing, and is an added testament to the strength and confidence with which she pursued both her personal and artistic life. Parnok was not a political activist, and she had no engagement with the feminism vogueish in young Russian intellectual circles.
