Literary Advertising and the Shaping of British Romanticism investigates the entwined histories of the advertising industry and the gradual commodification of literature over the course of the Romantic Century (17501850). In this well-written and detailed study, Nicholas Mason argues that the seemingly antagonistic arenas of marketing and literature share a common genealogy and, in many instances, even a symbiotic relationship. Drawing from archival materials such as publisher account books, merchant trade cards, and author letters, Mason traces the beginnings of many modern advertising methodsincluding product placement, limited-time offers, and journalistic pufferyto the British book trade during the eighteenth and nineteenth centuries. Until now, Romantic scholars have not fully recognized advertisings cultural significance or the importance of this period in the origins of modern advertising. Mason explores Lord Byrons appropriation of branding, Letitia Elizabeth Landons experiments in visual marketing, and late-Romantic debates over advertising's claim to be a new branch of the literary arts. Mason uses the antics of Romantic-era advertising to illustrate the profound implications of commercial modernity, both in economic practices governing the book trade and, more broadly, in the development of the modern idea of literature.
