Alison Kinney is the author of Hood. Her writing on opera, history, and culture has appeared in many venues, including The New Yorker, The Paris Review Daily, Lapham's Quarterly, The New York Times, VAN Magazine, The Guardian, Harper's, The New Republic, Hyperallergic, The Believer, and The Village Voice. She is Assistant Professor of Writing at Eugene Lang College, The New School.
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Description
When making a solo trip to the opera, most everyone who wasn't raised on the art faces this question: 'Do I really belong here?' Alison Kinney says 'yes,' and invites you to ride along with her: to performances at Wagner's theater, and also, less conventionally, at a prison. She's insightful and entertaining, but not merely good company. Her larger conversation with the tradition-regarding its pleasures and its problems-should excite anyone eager to see opera with new eyes. * Seth Colter Walls, New York Times contributing music critic *