The global music industry - contradictions in the commodification of the sublime, John Lovering; the early days of the gramophone industry in India - historical, social, and musical perspectives, Gerry Farrell; welcome to Dreamsville - a history and geography of Northern Soul, Joanne Hollows and Katie Milestone; Victoria brass bands - class, taste, and space, Trevor Herbert; locating listening - technological space, popular music, and Canadian Mediation, Jody Berland; Borderlines - bilingual terrain in Scottish song, Steve Sweeney Turner; England's glory - sensibility of place in English music, 1900-1950, Robert Stradling; Samuel Coleridge-Taylor's geography of disappointment - hybridity, identity, and networks of musical meaning, George Revill; global undergrounds - the cultural politics of sound and light in Los Angeles, 1965-1975, Simon Rycroft; from dust strom disaster to pastures of glory - Woody Guthrie and the landscapes of the dust bowl odyssey, John Gold; sounding out of the city - music and the sensuous production of place, Sara Cohen; desire, power, and the sonoric landscape - early modernism and the politics of musical privacy, Richard Leppert.
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