As the first collection of new work on sound and cinema in over a decade, Lowering the Boom addresses the expanding field of film sound theory and its significance in rethinking historical models of film analysis. Introducing new methods of thinking about the interaction of sound and music in films, the contributors consider the ways in which musical expression, scoring, voice-over narration, ambient noise, and avant-garde film sound affect identity formation and subjectivity.Contributors are Jay Beck, John Belton, Clark Farmer, Paul Grainge, Tony Grajeda, David T. Johnson, Anahid Kassabian, David Laderman, James Lastra, Arnt Maasø, Matthew Malsky, Barry Mauer, Robert Miklitsch, Nancy Newman, Melissa Ragona, Petr Szczepanik, Paul Théberge, and Debra White-Stanley.[Lowering the Boom reclaims] cinema as an audiovisual object, demonstrating conclusively that whatever the relative importance of the audio and visual parts, neither can be ignored . . . . I hope Lowering the Boom is widely read.--Jump Cut An excellent collection of essays which reveals much about the state of play of soundtrack studies and offers many fresh and original insights. It will certainly be of value to students and scholars of film sound.--Music, Sound, and the Moving Image''A central text for the study of sound in media. Lowering the Boom's wide range of topics joins history and critical debates and will be useful and appealing to scholars and students of sound design, media studies, and film theory.''--Donald Crafton, author of The Talkies: American Cinema's Transition to Sound, 1926-1931 ''A substantial and important book, Lowering the Boom includes work from both established scholars and emerging voices in the field and is a welcome addition to auditory culture and sound studies.''--Steve J. Wurtzler, author of Electric Sounds: Technological Change and the Rise of Corporate Mass Media
