''This work is fascinating as it offers a more complicated history of the region than the one offered in current historical studies by focusing on the ways in which a segment of the global workforce forged their own understandings of the wider world and negotiated their position in the cosmopolitan sea-going and theatrical worlds of the nineteenth century. This is a story that very much needs to be told.'' --Gillian M. Rodger, author of Champagne Charlie and Pretty Jemima: Variety Theater in the Nineteenth Century