Music and the Making of Portugal and Spain

Matthew Machin-Autenrieth is a lecturer in ethnomusicology at the University of Aberdeen. He is author of Flamenco, Regionalism and Musical Heritage in Southern Spain. Salwa el-Shawan Castelo-Branco is a professor emerita at the Nova University of Lisbon, former Director of the Instituto de Etnomusicologia, Centro de Estudos em Musica e Danca at the Universidade Nova de Lisboa, Portugal, and former President of the International Council for Traditional Music. She is the co-author of Portugal and Spain: Experiencing Music, Expressing Culture. Samuel Llano is a senior lecturer in Spanish cultural studies at the University of Manchester. He is the author of Whose Spain: Negotiating "Spanish" Music in Paris; and Discordant Notes: Marginality and Social Control in Madrid.

Acknowledgments Introduction: Sounding Nation and Region in Portugal and Spain Matthew Machin-Autenrieth, Salwa El-Shawan Castelo-Branco, and Samuel Llano Part I: Music, State Propaganda, and Authoritarian Regimes Chapter 1: Patriotic, Nationalist, or Republican? The Portuguese National Anthem Paulo Ferreira de Castro Chapter 2: The Battle for the Greatest Musical Emblem: The National Anthem and the Symbolic Construction of Francoist Spain Igor Contreras Zubillaga Chapter 3: Portuguese Rural Traditions as Cultural Exports: How Modernism and Transnational Connections Shaped the New State's Folklore Politics Vera Marques Alves Part II: Sound Technologies and the Nation Chapter 4: Recording zarzuela grande in Spain in the Early Days of the Phonograph and Gramophone Eva Moreda Rodriguez Chapter 5: The Invisible Voices of the Early Recording Market in Portugal Leonor Losa Chapter 6: Radio, Popular Music, and Nationalism in Portugal in the 1940s Pedro Moreira Chapter 7: Protest Song and Recording in the Final Stages of the Estado Novo in Portugal (1960-74) Hugo Castro Part III: Negotiating the State, Nation, and Region Chapter 8: Towards a Critical Approach to Flamenco Hybridity in Post-Franco Spain: Rock Music, Nation, and Heritage in Andalusia Diego Garcia-Peinazo Chapter 9: Portuguese Rock or Rock in Portuguese?: Controversies Concerning the "Portugueseness" of Rock Music Made in Portugal in the Early-1980s Ricardo Andrade Chapter 10: Indie Music as a Controversial Space on Spanish Identity: Class, Youth, and Discontent Hector Fouce and Fernan del Val Chapter 11: Catalonia vs Spain: How Sonorous is Nationalism? Josep Marti Part IV: Musical Heritagization and the State Chapter 12: Intangible Cultural Heritage and State Regimes in Portugal and Spain Salwa El-Shawan Castelo-Branco and Cristina Sanchez-Carretero Chapter 13: Sounding the Alentejo: Portugal's Cante as Heritage Salwa El-Shawan Castelo-Branco Chapter 14: Flamenco Heritage and the Politics of Identity Cristina Cruces Roldan Contributors Index

"Illuminating music's complex interactions with issues of nationalism and identity, this volume's innovative exploration of diverse musical styles provides a model for rethinking musical nationalism, both within and beyond the Iberian Peninsula."--Michael Christoforidis, author of Manuel de Falla and Visions of Spanish Music