Beverly Guy-Sheftall is the Anna Julia Cooper Professor of Women's Studies at Spelman College. Dwight A. McBride is the Gerald Early Distinguished Professor of African & African American Studies at Washington University of in St. Louis. Justin A. Joyce is a senior publications editor and a managing editor of the James Baldwin Review and a senior publications editor at Washington University in St. Louis.
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"Whom did they love?" An Introduction-Beverly Guy-Sheftall, Dwight A. McBride, and Justin A. Joyce KEY FIGURES REVISITED * Robert F. Reid-Pharr, Monster in the Archive * Devon W. Carbado and Donald Weise, The Civil Rights Identity of Bayard Rustin * Timothy Stewart-Winter, The Killing of James Clay and the Archives of Police Violence * Beverly Guy-Sheftall, Coretta Scott King: The Beloved Community Revisited BELOVED COMMUNITY: LOVE, ARTS, ACTION * E. Patrick Johnson, "Are We Not Family?": Sexuality, Citizenship, and Politics in the New Black South * Cheryl Clark, Morning, Mourning, and Mo'nin' in Audre Lorde's "Sister, Morning Is a Time for Miracles" * Rudolph P. Byrd, The Death of the Essential Black Subject: Marlon T. Riggs' Black Is . . . Black Ain't * Marlon Rachquel Moore, Negative Visibility and the Privacy Ethic: James Baldwin's Homophile Rhetoric ANNALS OF EDUCATION * Ruby Nell Sales, Their Goodness Followed Their Horizons' Rim: Southern African American Lesbians in the Late Nineteenth and Early Twentieth Centuries * Dwight A. McBride, Straight Black Studies: On African American Studies, James Baldwin, and Black Queer Studies * Roderick A. Ferguson, The Past and Future Diversities of HBCUs: Queerness and the Institutional Fulfillment of Black Studies * Anthony Pinder, Lost in Reverie: Gay HBCU Alumni Look Back LEAVE SIGNS: PHILOSOPHIES FOR THE FUTURE * Gary L. Lemons, Professing Womanism as "a Sexual Discourse of Resistance" in and outside the College Classroom * Deva R. Woodly, Political Philosophy: Radical Black Feminist Pragmatism * Heath Fogg Davis, Sex-Classification Policies as Transgender Discrimination: An Intersectional Critique * Jewelle Gomez, And Leave Signs-Art, Lineage, and Legacy

