Music and Cultural Rights

UNIVERSITY OF ILLINOIS PRESSISBN: 9780252076626

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Sale price$58.99
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In stock, 2 units

Edited by Andrew N. Weintraub, Bell Yung
Imprint:
UNIVERSITY OF ILLINOIS PRESS
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Format:
PAPERBACK
Pages:
336

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Description

Preface: Bell Yung; Acknowledgements; Introduction: Andrew N. Weintraub; 1. Agency and Voice, The Philippines at the 1998 Smithsonian Folklife Festival: Ricardo D. Trimillos; 2. Use and Ownership, Folk Music in the People's Republic of China: Helen Rees; 3. Access and Control, A Key to Reclaiming the Right to Construct Hawaiian History: Amy Ku'uleialoha Stillman; 4. National Patrimony and Cultural Policy, The Case of the Afroperuvian Cajon: Javier Leon; 5. Historical Legacy and the Contemporary World, UNESCO and China's Qin Music in the 21st Century: Bell Yung; 6. Representation and Intracultural Dynamics, Romani Musicians and Cultural Rights Discourse in Ukraine: Adriana Helbig; 7. Representing Tibet in the Global Cultural Market, The Case of the Chinese-Tibetan Musician Han Hong: Nimrod Baranovitch; 8. Music and Human Rights, AfroReggae and the Youth from the Favelas as Responses to Violence in Brazil: Silvia Ramos/Ana Maria Ochoa; 9. In Search of a Cross-Cultural Legal Framework, Indigenous Musics as Worldwide Commodity: Felicia Sandler; Bibliography; Glossary of Chinese Characters for Chapters By Baranovitch, Rees, and Yung; Notes on Contributors; Index Preface: Bell Yung; Acknowledgements; Introduction: Andrew N. Weintraub; 1. Agency and Voice, The Philippines at the 1998 Smithsonian Folklife Festival: Ricardo D. Trimillos; 2. Use and Ownership, Folk Music in the People's Republic of China: Helen Rees; 3. Access and Control, A Key to Reclaiming the Right to Construct Hawaiian History: Amy Ku'uleialoha Stillman; 4. National Patrimony and Cultural Policy, The Case of the Afroperuvian Cajon: Javier Leon; 5. Historical Legacy and the Contemporary World, UNESCO and China's Qin Music in the 21st Century: Bell Yung; 6. Representation and Intracultural Dynamics, Romani Musicians and Cultural Rights Discourse in Ukraine: Adriana Helbig; 7. Representing Tibet in the Global Cultural Market, The Case of the Chinese-Tibetan Musician Han Hong: Nimrod Baranovitch; 8. Music and Human Rights, AfroReggae and the Youth from the Favelas as Responses to Violence in Brazil: Silvia Ramos/Ana Maria Ochoa; 9. In Search of a Cross-Cultural Legal Framework, Indigenous Musics as Worldwide Commodity: Felicia Sandler; Bibliography; Glossary of Chinese Characters for Chapters By Baranovitch, Rees, and Yung; Notes on Contributors; Index

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