Gender Meets Genre in Postwar Cinemas

UNIVERSITY OF ILLINOIS PRESSISBN: 9780252078316

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Edited by Christine Gledhill
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UNIVERSITY OF ILLINOIS PRESS
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PAPERBACK
Pages:
288

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Christine Gledhill / Introduction Part One: Refiguring Genre and Gender Jane Gaines / The Genius of Genre and Ingenuity of Women; Pam Cook / No Fixed Address: the Women's Picture from Outrage to Blue Steel; Deidre Pribram / Circulating Emotion: Race, Gender and Genre in Crash; Luke Collins / '100 % Pure Adrenaline:' Gender and Generic Surface in Point Break Part Two: Postfeminism and Generic Re-inventions E. Ann Kaplan / Troubling Genre/Reconstructing Gender; Yvonne Tasker / Bodies and Genres in Transition: Girlfight and Real Women Have Curves; Samiha Matin / Private Femininity, Public Femininity: The Tactical Aesthetics in the Costume Film; Lucy Fischer / Generic Gleaning: Agnes Varda, Documentary and the Art of Salvage Part Three: Gender Aesthetics in ''Male'' Genres Adam Segal / It's a Mann's World?; Deborah Thomas / Up Close and Personal: Faces and Names in Casualties of War; Katie Model / Gender Hyperbole and the Uncanny in the Horror Film: The Shining Part Four: Genre and Gender Transnational Ira Bhaskar / Subjectivity and the Limits of Desire: Melodrama and Modernity in 1940s-50s Bombay Cinema; Xiangang Chen / Woman, Generic Aesthetics and the Vernacular: Huangmei Opera Films from China to Hong Kong; Vicente Rodriguez Ortega / Homoeroticism Contained: Gender and Sexual Translation in John Woo's migration to Hollywood Part Five: Generic Trans-ings: Between Genres, Genders and Sexualities Derek Kane-Meddock / Trash Comes Home: Gender/Genre Subversion in the Films of John Waters; Chris Straayer / Femme Fatale or Lesbian Femme: Bound in Sexual Difference; Steven Cohan / The Gay Cowboy Movie: Queer Masculinity on Brokeback Mountain Bibliography

''A superb collection of essays representing an exceptionally high order of film scholarship: thoughtful, insightful, and well-written. With provocative insights and stellar contributors, the volume will be of great interest to students and scholars of cinema studies.'' Virginia Wright Wexman, co-editor of Women and Experimental Filmmaking

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