Flaco's Legacy

Erin E. Bauer is chair of the Music Department and an associate professor of musicology at Muskingum University.

Acknowledgements Introduction: The Globalization of Conjunto Part I: The Migration of Conjunto 1. "We love you, Flaco!": Chicken Skin Music, "Mingomania," and the Inter/national Presentation of Conjunto 2. "Ladies and gentlemen, Dodge presents Flaco Jimenez!": Arhoolie Records, KEDA Radio Jalapeno, and the Mediated Dispersal of Conjunto 3. "From Texas to Washington and across to Michigan and Illinois...": Los Cuatro Vientos, Los Texmaniacs, Los Lobos, and the U.S American Spread of Conjunto Part II: The Hybridization of Conjunto 4. "You have to mix it up!": "Seguro Que Hell Yes," the Texas Tornados, Los Super Seven, and the Cultural Hybridity of Flaco Jimenez 5. "I play the jazz accordion!": "Rueda de Fuego (Ring of Fire)," "My Toot Toot," and the Country/Zydeco Influences of Mingo Saldivar and Steve Jordan 6. "It's jealousy...": Eva Ybarra and the Hybrid Offerings of Women in Conjunto Part III: The Appropriation of Conjunto 7. "That's my music!": Kenji Katsube, Dwayne Verheyden, and the Worldwide Participation in Conjunto 8. "!Esto es globalizacion!": Rowwen Heze, the Rolling Stones, and the Commercialized Appropriation of Conjunto Conclusion Notes Discography Works Cited Index