Brian Hart is Professor of Music History at Northern Illinois University. He is the author of "The French Symphony after Berlioz: From the Second Empire to the First World War" in Volume 3B of The Symphonic Repertoire. He has written and presented on various topics relating to French symphonic music and culture including Vincent d'Indy's influence on French symphonic development, Debussy and the symphony, the French organ symphony, the symphonies of Arthur Honegger, and competing cultural and political interpretations of the symphony in fin de siecle France. He is the author of entries on Cesar Franck, Arthur Honegger, Vincent d'Indy, Albert Roussel, and Ernest Chausson for Oxford Bibliographies Online.
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Preface Acknowledgments List of Abbreviations 1. Introduction to the Symphonic Repertoire of the United States and Latin America, by Brian Hart 2. The First Generation of Symphonists in the United States, by Douglas Shadle 3. The Second New England School and their Contemporaries, by E. Douglas Bomberger 4. The Symphonic Works of Charles Ives, by J. Peter Burkholder 5. From 1920 to 1950 in the United States: The Symphony in a World Upended, by Susan Key, with Drew Massey 6. Forgotten Modernisms: The Symphony in the United States from 1950 to 1970, by Katherine Baber 7. The Symphony in South America, by Carol A. Hess 8. The Symphony in Mexico, Central America, and the Spanish-Speaking Caribbean, by Carol A. Hess 9. The Symphony in the United States since 1970, by Matthew Mugmon Index
"A masterful and elegantly written history of the symphony and symphonic repertory throughout the Americas, from the colonial period to the present, in Spanish-, Portuguese-, and English-speaking countries, including coverage of the symphony in Canada. Volume editor Brian Hart and his group of leading experts give a comprehensive treatment of the genre showing how composers from throughout the western hemisphere have put their own individual stamp on the form over the centuries. The Symphony in the Americas is an outstanding achievement and a magnificent addition to the late A. Peter Brown's multi-volume series The Symphonic Repertoire."-John Koegel, author of Music in German Immigrant Theater

