Ordinary Whites in Apartheid Society

INDIANA UNIVERSITY PRESSISBN: 9780253068033

Social Histories of Accommodation

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By Neil Roos
Imprint:
INDIANA UNIVERSITY PRESS
Release Date:
Format:
PAPERBACK
Dimensions:
229 x 152 mm
Weight:
400 g
Pages:
264

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Description

Neil Roos is author of Ordinary Springboks: White Servicemen and Social Justice in South Africa, 1939-1961. He is currently Dean of Social Sciences and Humanities and professor of history at the University of Fort Hare, South Africa. He is also co-implementer of the South African Department of Higher Education and Training's Future Professors Program.

Foreword Preface Acknowledgments 1. Compliance and Defiance in the Making of White Apartheid Society 2. Whites and South African History 3. The Delicacy of Teacups 4. Insluipers, Geoffrey Cronje, and Social Policy 5. Work and Ideology in the Apartheid Public Service 6. Women, the Labor Market, and the Domestic Economy 7. Nationalism, Whiteness, and Consumption 8. Alcohol and Social Engineering 9. The End Notes Bibliography Index

"Neil Roos's Ordinary Whites in Apartheid Society is an outstanding work of scholarship. This is a book which will be both a signal contribution to the social history of Southern Africa, but also of considerable interest to scholars working on issues of race in the United States and elsewhere. It's lively, engaging and personal style, combines academic rigor with accessibility."-Jonathan Hyslop, Colgate University "This is really a remarkable book, most notably for how the narrative of apartheid society in its early years is meshed with selected visual and textual moments from the author's family autobiography. What is important is that for the most part the linkages are not always self-evident, and it is left to the reader to make the connections."-Leslie Witz - University of the Western Cape), H-S Africa "Neil Roos's book is a landmark book in South African historiography. This is a very compelling book, beautifully written and structured. Social history is not easy to write because it demands that a mass of detail, ordinarily considered uninteresting because it documents the unremarkable, the quotidian, be rendered as a narrative that eschews great events."-Robert Morrell, Critical Arts: South-North Cultural and Media Studies

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