John Varriano is Idella Plimpton Kendall Professor of Art History at Mount Holyoke College. He is the author of Italian Baroque and Rococo Architecture (1986), Rome, A Literary Companion (1991), and numerous articles and exhibition catalogues on early modern Italian art.
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Description
Contents List of Illustrations Acknowledgments Introduction Biographical Conspectus 1. Myths of the Studio 2. Imitation and Imagination 3. The Eye of the Beholder 4. Physical Presences, Erotic Appetites, Wit 5. Violence 6. Portraits and Portrayals 7. Gesture and Expression 8. Settings and Accessories Conclusion Notes Index
"The scholarship is not just sound, but is up to date and rich, adding pertinent bibliography from other disciplines. The book's main strength is in Varriano's level-headed approach to his subject and his careful, thoughtful, hard look at the images. It is a fine counterbalance to the fashionable over-reading of Caravaggio's imagery." - Richard Spear, University of Maryland "The book does an excellent job of looking closely at the paintings, getting us to think about them in new and interesting ways.... The degree to which the author will stimulate students to look closely at the pictures is very considerable." - David Stone, University of Delaware"