Philosophy, Black Film, Film Noir

PENN STATE UNIVERSITY PRESSISBN: 9780271033440

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By Dan Flory
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PENN STATE UNIVERSITY PRESS
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Format:
HARDBACK
Pages:
368

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Description

Contents

Illustrations

Preface

Acknowledgments

Introduction: Philosophy and the Blackness of Film Noir

Recent Philosophical Theories of Race

Philosophy, Cognition, and Film Theory

What Is Black Film?

What Is Film Noir?

Film Noir's Subversive Possibilities

What Is Black Noir?

1. Spike Lee and the Sympathetic Racist

Whoand WhatIs Sal?

Critical Reflection and Sympathetic Racists

Spike Lee and Institutional Racism

2. Noir Protagonists and Empathy in Do the Right Thing

Moral Ambiguity, Suspense, and Noir Characterization

Hitchcockian "Subjective Suspense" and the Spectrum of Noir Characters

Do the Right Thing and Noir Characterization

Empathy for Radio Raheem?

Mookie Agonistes

Da Mayor and Moral Orientation

Critical Reflection and the Role of Empathy in Do the Right Thing

3. Race and Tragedy in One False Move

A Hurricane of Sympathy and Racism

Racism, Tragedy, and Empathy

Alignment, Point of View, and Empathetic Response to Lila

Sympathetic Racists and Audience Allegiance in Black and White

4. Nihilism and Knowledge in Clockers

Cultivating Empathy for a Clocker

Internalized Racism in Teaching and Explanation

Oppression and Alternative Possibilities

Rocco Klein as Sympathetic Racist Cop

Sympathy and How to Do the Right Thing

Aesthetic Response, Race, and Black Noir

5. "Guilty of Blackness"

Flawed Noir Narratives: New Jack City and Boyz 'N the Hood

Racial Oppression and Personal Psychology: Juice

Menace II Society and the Meaning of Life

Black Noir, Nihilism, and Film as Philosophy

6. Beyond the Gangsta

Working for "the Man": Deep Cover

Narrative Voice and Epistemic Authority

Learning from the Logic of White Power

Jerry Carver, Pimp for White Power

Making a Difference Epistemologically

Against Self-Interest: The Glass Shield

Race and the Noir Lessons of History: Devil in a Blue Dress

Black Noir Moves Beyond the Gangsta

7. Other Forms of Blackness

Eve's Bayou and Its Critical Reception

Film Noir and Female Gothic Melodrama

Eve's Gothic Noir World

Noir, Empathy, and African-American Female Characters

What Is It Like To Be a Caveman?

The Injustice of the Everyday: Always Outnumbered, Always Outgunned

Training Day, Empathy, and Moral Corruption

8. Noir and Beyond

White Fears of the Other: Summer of Sam

Transcending Human Differences in 8 Mile

The Evolving Racial Contract: Out of Time and Never Die Alone

Bamboozled by Blackface

A Noir Atlantic: From Hell, Empire, City of God, Dirty Pretty Things, The Constant Gardener, Catch A Fire, and Children of Men

Conclusion: Race, Film Noir, and Philosophical Reflection

Cavellian Individualities and Film as Philosophy

A Taxonomy of Empathy and Expanding Moral Imagination

Index



“Flory’s book opens up many new lines of inquiry for philosophers interested in examining how films can philosophize and the role that the emotions play in prompting such reflection. Because of Flory’s extensive knowledge of contemporary film aesthetics and critical race theory, there is much we can learn about these areas from reading his book. It is a work suitable for use in mid-level and advanced undergraduate classes as well as graduate classes on aesthetics, philosophy of film, and critical race theory.”

—Angela Curran, Notre Dame Philosophical Reviews

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