Contents
List of Illustrations
Acknowledgments
Introduction
1. Staging Memory: “The Most Portuguese Village in Portugal” and the Exposition of the Portuguese World
2. Between Modernity and Tradition: José de Almada Negreiros’s Visual Commentaries on Popular Experience
3. Family Secrets: Irene Lisboa’s Critique of “God, Pátria, and Family”
4. Imperial Dreams and Colonial Nightmares: Baltasar Lopes’s Ambivalent Embrace of Lusotropicalism
Conclusion: Memory and the Collective Imagination Under the Estado Novo and in Its Aftermath
References
Index