Beyond National Identity

Contents

List of Illustrations

Acknowledgments

Introduction

1. Foundations

2. Departure: Camilo Egas’s European Formation

3. Returns: Andean Journals in the 1920s

4. Diverted Gaze: From Paris to North America

5. To New York and Back Again

6. U.S. Interventions

Conclusion

Appendix: Exhibitions of Latin American Art at the San Francisco Museum of Art, 1935–1957

Notes

Bibliography

Index

“With great skill and insight, Greet weaves the history of pictorial indigenism in Latin America into the larger narrative of twentieth-century art and politics in the Americas.”

—E. Douglas, Choice