Contents
List of Illustrations
Acknowledgments
Introduction
1. Foundations
2. Departure: Camilo Egas’s European Formation
3. Returns: Andean Journals in the 1920s
4. Diverted Gaze: From Paris to North America
5. To New York and Back Again
6. U.S. Interventions
Conclusion
Appendix: Exhibitions of Latin American Art at the San Francisco Museum of Art, 1935–1957
Notes
Bibliography
Index