The Curatorial Avant-Garde

PENN STATE UNIVERSITY PRESSISBN: 9780271059396

Surrealism and Exhibition Practice in France, 1925-1941

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By Adam Jolles
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PENN STATE UNIVERSITY PRESS
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PAPERBACK
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Pages:
288

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Description

Contents

List of Illustrations

Acknowledgments

Introduction: The Curatorial Avant-Garde

1 Breaking the Silence

2 Denouncing de Chirico

3 Colonists by Vocation

4 The Tactile Turn

5 The Artist as Dealer

Conclusion: Looking Back on Adorno

Notes

Selected Bibliography

Index


“There are many valuable insights to be gained from Jolles’s richly researched study. The book also displays impressive production values, with a knowing nod towards ‘The New Typography’ and several archive images that are brightly rejuvenated through digital scanning.”

—Robert Radford, Burlington Magazine

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